She was fifty when I met her, a short, black-faced woman with two aristocratic wens on the left slope of her nose, yellow, dirty hands, covered with paste emeralds (an allusion to her Portuguese claims; she was Archduchess of Brazil, if Brazil had only remained Portuguese), lame with the limp that pursues the Della Quercia, just as her aunt had been epileptic with the epilepsy of the true Vani. She lived in a tiny apartment in the Palazzo Aquilanera, Piazza Aracœli, from the windows of which she watched the sumptuous weddings of her rivals, ceremonies to which she had been invited, but dared not attend, foreseeing that she would be assigned to places that fell below her pretensions; to accept a humble seat would be to admit that one had relinquished the whole bundle of vast historic claims. She had left many a great function abruptly on discovering that her chair was behind some of those Colonna cousins who had cast away all right to aristocratic distinction by marrying theatre women or Americans. She refused to be seated behind pillars among dubious Neapolitan titles--in the shadow of her own family tombs; to be left among the footmen at the door of a musicale; to be invited at the eleventh hour; and to be kept waiting in antechambers. For the most part she clung to her ugly stuffy rooms, brooding on the disregarded glories of her line and envying the splendors of her richer relatives. The fact is that from the point of view of a middle-class Italian she was not really poor; but she was too poor to afford the limousine and livery and great entertainments; to be without these and yet invested with her pretensions was to be poorer than the last nameless body fished out of the Tiber.