Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
As a girl she had often heard Liszt and Tausig in her mother's home; by
dint of never playing Schumann or Brahms she had kept her fingers all
silver and crystal, and even now, practically in her old age, she evoked
the great era of virtuosi, a time when the orchestra had not led piano
technique into a desperate imitation of brass and strings. Mlle. de
Morfontaine sat holding in the cup of her hand the muzzle of one or
other of her splendid dogs. Her eyes were filled with tears, but whether
they were the facile tears of her half-mad nature or the witness of
memories brought back on the tide of Chopin's sonata, we cannot know.
The Cardinal had retired early and the Princess sat in the shadows, not
listening to the music, but pursuing some of the phantoms of her most
secretive mind.
Barely had the army with banners ceased drilling in the wintry sunlight
of the last movement when a servant whispered to me that the Cardinal
wished to see me.
I found him in the first of the two small rooms that had been set aside
for him at the Villa. He was writing a letter, standing up to it at one
of those high desks known to the clerks of Dickens and the illuminators
of the Middle Age. I was later to receive many of those famous letters,
never more nor less than four pages long, never falling short of their
amazing suavity, never very witty nor vivid yet never untouched from
beginning to end by the quality of their composer's mind. Whether he
declined an invitation or suggested a reading of Freud's book on
Leonardo, or gave suggestions on the feeding of rabbits, always from the
first sentence he foresaw his last and always like a movement from
Mozart's chamber-music the whole unit lay under one spirit and the
perfection of details played handmaid to the perfection of the form. He
seated me in a chair that suffered all the light that was in the room,
treating himself to a fine shadow.
He began by saying that he had heard that I was to keep an eye on Donna
Leda's son for a while.
I became warm and unintelligible in an effort at protesting that I could
guarantee nothing; that I was most reluctant; and that I still reserved
the right to withdraw at any moment.
Let me tell you about him, he began. Perhaps I should say first that I
am a sort of old uncle in the family, and their confessor for many
years. Well,--this Marcantonio. What shall I say? Have you seen him?
No.
The boy is full of good things. He ... he ... Full of good things.
Perhaps that's his trouble. You say you haven't met him yet?
No.
Public-domain text, read in full here on John Shaqi.
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