Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
Hardly had I re-entered the music-room with my revolt written all over
me when the Princess d'Espoli came forward. By that telepathy which the
Cabala employed in its affairs she already knew that I had to be
persuaded all over again. She made me sit down beside her and with the
briefest outlay of those gifts of suppliance and enchantment of which
she held the secret, she won my promise. In two minutes she had made it
seem the most natural thing in the world that I should play stern older
brother to a gifted drifting friend of hers.
As by the click of some invisible stage-manager Miss Grier entered.
How are you, how are you? she said, trailing her russet draperies across
the tiles toward me. You can't guess who drove me out. I must hurry
back. The Lateran choir is coming to sing Palestrina to me about
twelve,--perhaps you know the motets from the Song of Songs? No?
Marcantonio brought me here. He loves high-powered cars, and as his
mother can't give him one I let him play with mine. Can you come out and
meet him now? You'd better get your coat. Do you like night rides?
She led me out to the road where behind two blinding headlights a motor
was humming impatiently. Antonino, she called. This is an American
friend of your mother's. Do show him the car for half an hour, will you?
Don't kill anybody.
An incredibly slight and definite little elegant, looking exactly his
sixteen years, with spark-like black eyes bowed stiffly to me in the
faint light over the wheel. Italian princes do not rise at the approach
of ladies.
Don't hurt my car or my friend, Marcantonio.
No.
Where are you going?
But he did not choose to answer and the aroused motor drowned out the
lady's questions. For ten minutes we sat in silence while the road rose
to the headlights. After a harrowing struggle with his own selfishness
Don Marcantonio asked me if I wanted to take the wheel. Assured that
nothing would alarm me more, he settled down to driving with an almost
voluptuous application. He made nice distinctions with grades and
corners, took long descents cantabilemente, and played scherzi on
cobblestones. The outlines of the Alban hills stood out against the
stars that like a swarm of golden bees recalled that haughty Barberini
who had declared that the sky itself was the scutcheon of his house. All
lights were out on the farms, but occasionally we passed through a
village whose francobollo shop showed a lantern and a group of card
players. Many a wakeful soul in those enormous family beds must have
turned over, crossing himself, at the sighing whistle of our flight.
Public-domain text, read in full here on John Shaqi.
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