Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
In the pause that followed, fragments of conversation from the various
corners of the compartment flowed in upon our minds so recently occupied
with semi-divine personages. I haven't the slightest desire to quarrel,
Hilda, muttered one of the English-women. Naturally you made the
arrangements for the trip as best you could. All I say is that that girl
did _not_ clean off the washstand every morning. There were rings and
rings.
And from an American Italian: I says it's none of your goddam business,
I says. Take your goddam shirt the hell outta here. He run, I tell you;
he run so fast you don't see no dust for him he run so.
The Jesuit and his pupils had become politely interested in the postage
stamps and the Japanese attaché was murmuring: Oh, most exclusively
rare! The four-cent is pale violet and when held up to the light reveals
a water-mark, a sea-horse. There are only seven in the world and three
are in the collection of the Baron Rothschild.
Symphonically considered, one heard that there had been no sugar in it,
that she had told Marietta three mornings running to put sugar in it, or
bring sugar, although the Republic of Guatemala had immediately cut
than, a few had leaked out to collectors, and that more musk-melons than
one would have thought possible were sold annually at the corner of
Broadway and 126th Street. Perhaps it was in revulsion against such
small change that the impulse first rose in me to pursue these
Olympians, who though they might be bored and mistaken, had at least,
each of them, "one prodigious gift."
It was in this company then, and in the dejected airs of one in the
morning that I first arrived in Rome, in that station that is uglier
than most, more hung with advertisements of medicinal waters and more
redolent of ammonia. During the journey I had been planning what I
should do the moment I arrived: fill myself with coffee and wine, and in
the proud middle of the night, run down the Via Cavour. Under the hints
of dawn I should behold the tribune of Santa Maria Maggiore, hovering
above me like the ark on Ararat, and the ghost of Palestrina in a soiled
cassock letting himself out at a side door and rushing home to a large
family in five voices; hurry on to the platform before the Lateran where
Dante mixes with the Jubilee crowd; overhang the Forum and skirt the
locked Palatine; follow the river to the inn where Montaigne groans over
his ailments; and fall a-staring at the Pope's cliff-like dwelling,
where work Rome's greatest artists, the one who is never unhappy and the
one who is never anything else. I would know my way about, for my mind
is built upon the map of the city that throughout the eight years of
school and college had hung above my desk, a city so longed for that it
seemed as though in the depth of my heart I had never truly believed I
should see it.
Public-domain text, read in full here on John Shaqi.
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