Americans -- Italy -- Fiction; Rome (Italy) -- Social life and customs -- 20th century -- Fiction; Upper class -- Fiction
If Mrs. Roy descended at once to her car, she would have time to drive
to the American College in the Piazza di Spagna and confer with dear
omniscient Father O'Leary. Marvellous are the accoustics of the Church!
Before ten that evening the three Black votes would be decently cast for
conciliation. It was Miss Grier's task over the tea-table to convey this
long exposition to Mrs. Roy and to intimate the ineffable return she,
Miss Grier, would be able to make for any favors. This was complicated
by the necessity of making sure that neither Mme. Agoropoulos nor the
Ambassadress (men don't matter) suspected the least collusion.
Fortunately the Ambassadress could not understand rapid French, and Mme.
Agoropoulos, being sentimental, could be continually distracted from the
main issue by little sops of prettification and pathos.
Miss Grier played these several cards with the economy and precision of
a faultless technique. She had that quality which is a peculiar part of
the genuine that invests great monarchs, and which we see notably in
Elizabeth and Frederick, the power of adjusting threats to just the
degree that stimulates, yet does not antagonize. Mrs. Roy understood at
once what was expected of her. She had been packing committees and
conciliating soured Papal chamberlains and Italian political _dévotes_
these many years; trading in influence was her daily portion. Moreover
joy can exert the happiest sort of influence on the intelligence and she
felt her divorce was at hand. She rose hastily.
Will you excuse me if I run? she murmured. I told Julia Howard I would
call for her at Rosali's. And I have an errand in the Piazza di Spagna.
She bowed to us and fled. What emotion is it that lends wings to such
matter-of-fact feet and blitheness to such thin dispositions? The next
year she married a young French yachtsman, half her age; she settled
down in Florence and gave birth to a son. The Blacks no longer talked
votes when she entered their drawing-rooms. Vassar retains the painting
and in its archives a letter from the Italian Secretary for Foreign
Affairs which reads like a deed of gift. The influence of a work of art
upon the casual passerby is too subtle for determination, but one has
faith to believe that the hundreds of girls who pass beneath the
Mantegna daily draw from it impulses that make them nobler wives and
mothers. At least that is what the Ministry promised the College.
When the others had gone, Miss Grier made a face after them, lowered the
lights and bade us talk about New York. She seemed to take some pleasure
in such exotic company as ourselves, but her mind strayed until suddenly
jumping up, she smoothed out the folds of her gown and bade us hurry
off, dress, and come back to dinner at eight. We were surprised but
equal to it, and dashed off into the rain.
Public-domain text, read in full here on John Shaqi.
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