The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of WorkingHeuvel, Johannes
History
The Cabinetmaker in Eighteenth-Century Williamsburg: Giving Attention to the City's Chief Craftsmen in the Furniture Way; And to Their Tools & Methods of Working
Heuvel, Johannes
Furniture making; Furniture workers -- Virginia -- Williamsburg; Furniture, Colonial -- Virginia -- Williamsburg
The eighteenth-century upholsterer, of course, could not have done his
work without brass tacks, and quantities of them have been found in the
course of archaeological excavation at the site of the
Hay-Bucktrout-Dickinson cabinet shop on Nicholson Street. The colonial
cabinetmaker sometimes used small nails for such special purposes as
attaching drawer guides. But he would no more have nailed together a
piece of furniture than would his modern counterpart. Screws he did use,
for attaching cleats, braces, hinges, or other hardware. He used as few
as possible, however, since all screws were handmade, probably imported,
and certainly not cheap. If a joint needed to be reinforced, he used
wooden pegs, not screws. (Treenails, used in house framing, were simply
large pegs.)
Even the simplest piece of case furniture—such as a chest, press,
bookcase, clock case, dressing table, or sideboard—needed at least one
lock and possibly a set of hinges before it could leave the
cabinetmaker’s hands as a finished article. These items of hardware
could be of iron on the cruder examples of cabinet work or of brass on
the better ones. The door handles, drawer pulls, escutcheon plates, and
other visible hardware on finer pieces were almost sure to be of brass,
to be designed for ornament as well as utility, and to be imported.
A number of brass hardware items—whole and cut-down hinges and
escutcheon plates in particular—have been excavated at the site of the
Hay shop, most of them in ground levels associated with Dickinson’s
tenure. These seem to say that Dickinson was accustomed to working with
fine furniture.
_SCRAPS OF EVIDENCE_
A great deal of authentic eighteenth-century furniture—both English and
American in origin—has been assembled for display in the Exhibition
Buildings of restored Williamsburg. The collection is acknowledged to be
one of the finest in the country. Unfortunately, it contains not one
stick of furniture that can be positively identified as coming from the
hand of a Williamsburg cabinetmaker.
We do have, however, many bits and pieces of documentary evidence about
various Williamsburg cabinetmakers of the colonial era and about the
kind of work they did. A number of them, for example, advertised their
services in the columns of the _Virginia Gazette_ from time to time.
Practitioners of other crafts often listed at great length the wares
they made and sold; but the cabinetmakers usually announced only that
they stood ready to make to order any kind of furniture. They were
confidently versatile, it would seem; that they kept busy making and
doing all sorts of things is corroborated by other scraps of written and
printed information.
Joshua Kendall, when he set up shop in Williamsburg, offered to make
“_Venetian_ SUN BLINDS for windows.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account