The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian Revolution — John Shaqi
The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian RevolutionWashburn, Stanley
History
The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian Revolution
Washburn, Stanley
Black Sea -- Description and travel; Russia -- History -- Nicholas II, 1894-1917
Mounted on a coal black horse in full dress uniform, with half a dozen
of his staff about him, sat old Ichinohe, a tall, gaunt man nearing
sixty, whose life typifies the ideal of Japanese chivalry. Spartan in
his simplicity and endurance, fearless as a lion in battle, and gentle
as a woman in time of peace, we had known him almost since the war
started. At Port Arthur he had commanded the Sixth Brigade of the Ninth
Division, which, more than any other, had borne the heat and burden
of the day. We had known him then, when sword in hand he had led in
person his brigade against one of the most impregnable redoubts on the
crest of that all but unconquerable fortress. Twice his column had
been thrown back shattered and bleeding, but on the third assault, and
just as the light of day was breaking in the East, this redoubtable
man covered with blood and powder, and with his broken sword clutched
in his hand, placed the Sun Flag on a position that the Russians
had regarded as beyond possibility of capture. It was impossible to
realize that this kindly old gentleman, who spoke so gently to us that
morning in distant Manchuria, was the desperate commander who had been
decorated by the Mikado for his invincible attack on the famous redoubt
before Port Arthur’s bloody trenches.
He met us with that smile which we had come to know and love, and bade
his interpreter tell us that he and his staff would ride with us out of
the town and see us started on our journey. So, with the staff riding
about us, with clatter of saber and ring of spur, we rode through the
old winding stonewall flanked street of Fakumen to the main gate of the
town. Here the road winds out over a bridge that crosses the little
river that wends its way down from the pass in the mountains three
miles beyond and through which led our way that morning. The sun had
just risen and its first copper-colored rays turned the dew on the
grass to drops of brilliants. Away and away stretched the Oriental
landscape with the hills standing out in the background in the clear,
crisp air of early autumn. Behind us lay the town which had been our
home since May, its strange, fantastic Chinese temples and maze of
jumbled dwellings just catching the early sunlight; the whole scene
might have been a setting snatched from the banks of the Jordan in the
far away Holy Land. As we rode out of the gate and onto the old wooden
bridge with its stone parapets the full strength of the Third Army
Corps Military band blazed out the first notes of Sousa’s “The Stars
and the Stripes,” and with the glorious swing of that martial strain
taken up by drum and trumpet we crossed the river. None who has never
lived for months in an alien land among a people of a different race
can ever realize the throb of the heart that such music inspires. To
us, in far off Mongolia, it sounded like a voice from our very own,
coming across the wide Pacific.
Public-domain text, read in full here on John Shaqi.
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