The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian RevolutionWashburn, Stanley
History
The Cable Game: The Adventures of an American Press-Boat in Turkish Waters During the Russian Revolution
Washburn, Stanley
Black Sea -- Description and travel; Russia -- History -- Nicholas II, 1894-1917
to back him to the limit to maintain such a line. Steamers, railroad
trains, courier systems, and any means or methods his imagination or
ingenuity may devise, are his for the asking, if he can only get out
exclusive news, and get it first. His paper will pay fabulous sums,
$2,000, $5,000, even $10,000 for an account of a world event. A single
story of this kind is printed in ten thousand papers in fifty different
languages within twenty-four hours after the correspondent files it
in a cable office. His version of the affair is read first by every
foreign office in the civilized world. On his story the editorials on
the “situation” are based, from London to Buenos Ayres. The “feature
man” chronicles the events as he sees them. The “cable man,” though
in a small way, is a part of the great event. In the boiling vortex
where history is in the making, there is he, struggling against his
colleagues of the press of America and Europe to give to the world the
first facts of an international clash. He moves to the click of the
telegraph, and if he acts at all, he must act on the minute. Even
hours are too slow for the newspaper reading public. His editor at home
watches the ever-changing kaleidoscope of history, moving and reforming
on the stages of the world. Now Japan is in the public’s eye. He has
a man on the spot. Again it is a race war in Georgia—the invasion of
Thibet, a constitutional parliament in Persia, war in the Balkans, or a
revolution in Russia. All of these the restless, lynx-eyed one watches
from his office in Chicago. A hundred cables a day reach his desk from
all quarters of the globe, and in his mind from hour to hour he is
weighing the relative importance of all the interesting situations in
the world. If a parliamentary crisis develops in Europe, he has the
choice of a dozen of his foreign staff to cover it. A few words on the
pad, and in five hours the Berlin correspondent starts for Sweden, or
perhaps the Paris man telephones his wife that he is off for Algeciras
or Madrid. A pause in the career of a war correspondent for such a
paper means to him that for the moment the situation is too indefinite
to warrant any immediate action. From day to day he lives with a vague
wonder on his mind where the next day will see him. Will he be on his
way home, to Europe, Asia, or the Philippines, or perhaps to some
unfamiliar place he has to search in the Atlas to find? Surrounded by
his campaign baggage and war kit, he sits and waits, ready for a quick
call to any quarter of the globe to which the cable may order him.
Public-domain text, read in full here on John Shaqi.
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