[Illustration: Distribution of principal archaeological sites in
northwestern Louisiana. Reprinted with permission of New World Research
and the U.S. Army Engineer District, New Orleans.]
EARLY CADDO CULTURE: ALTO FOCUS
At some time before A.D. 1000, and probably by A.D. 800, the traits
associated with the beginnings of prehistoric Caddo culture replaced
Coles Creek over the four-state area. The change may have started along
Red River in northwestern Louisiana, although others have thought that
a group of “culture bearers” entered the Caddoan area of eastern Texas
overland from the more advanced culture centers of the Mexican Highlands.
Whether the ideas that are shown in the prehistoric settlements came
overland or up the rivers, two conclusions seem certain: (1) early
Caddoan culture existed for a time with late Coles Creek; and (2) Caddo
beginnings added new customs and traits that seem to have originated in
Middle America, especially in the Mexican Highlands and on the upper
Mexican Gulf Coast.
The early Caddo unquestionably derived many things from Coles Creek.
Their settlement patterns were similar, a culture change from Coles
Creek to Caddo often occurring in the same village or even in
building levels of the same mound. The Caddo continued bow and arrow
hunting, with identical or slightly changed stone arrow points.
Coles Creek and Caddo peoples practiced the same kind of intensive
maize-beans-sunflower-squash-pumpkin agriculture or horticulture. They
both made clay or stone effigy pipes and smoked tobacco ceremonially. The
Caddo shared many of the Coles Creek pottery types, especially in the
utility vessels, with minor changes taking place through time, as is to
be expected. The Caddo retained strong religious and civil authority in
the villages and the major ceremonial centers and were organized under
a chieftain type of authority. There are similarities to Coles Creek,
finally, in Caddoan ceremonial festivities, games, and customs of burying
the dead in mounds alongside the plazas.
A Middle American origin can be assumed for a number of Caddoan ceramic
ideas. The bottle and the carinated bowl—a bowl with a sharp angle
separating the rim from the sides or the base—vessel shapes are likely
Mexican introductions. The same is true of the low-oxygen firing of
pottery and the burnishing or polishing of the exterior to produce glossy
mahogany brown or black surfaces. Decoration of these surfaces was often
by engraving after firing, combined with cut-out areas and insertion
of red pigment into the designs, and the frequent use of curved line
rather than straight line designs. The curved motifs included concentric
circles, spirals, scrolls, interlocking scrolls, meanders, volutes,
swastikas, and stylized serpent designs. A few curvilinear designs were
present in the earlier Marksville and Coles Creek pottery, but they
became more varied and frequent in Caddoan ceramics.
Public-domain text, read in full here on John Shaqi.
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