Of the mechanism by which the position of the copper is shifted from
figure to figure, from line to line, we shall not attempt any
description. We feel that it would be quite vain. Complicated and
difficult to describe as every other part of this machinery is, the
mechanism for moving the copper is such as it would be quite impossible
to render at all intelligible, without numerous illustrative drawings.
The engraved plate of copper obtained in the manner above described, is
designed to be used as a mould from which a stereotyped plate may be
cast; or, if deemed advisable, it may be used as the immediate means of
printing. In the one case we should produce a table, printed from type,
in the same manner as common letter-press printing; in the other an
engraved table. If it be thought most advisable to print from the
stereotyped plates, then as many stereotyped plates as may be required
may be taken from the copper mould; so that when once a table has been
calculated and engraved by the machinery, the whole world may be
supplied with stereotyped plates to print it, and may continue to be so
supplied for an unlimited period of time. There is no practical limit to
the number of stereotyped plates which may be taken from the engraved
copper; and there is scarcely any limit to the number of printed copies
which may be taken from any single stereotyped plate. Not only,
therefore, is the numerical table by these means engraved and
stereotyped with infallible accuracy, but such stereotyped plates are
producible in unbounded quantity. Each plate, when produced, becomes
itself the means of producing printed copies of the table, in accuracy
perfect, and in number without limit.
Unlike all other machinery, the calculating mechanism produces, not the
object of consumption, but the machinery by which that object may be
made. To say that it computes and prints with infallible accuracy, is to
understate its merits:--it computes and fabricates _the means_ of
printing with absolute correctness and in unlimited abundance.
Public-domain text, read in full here on John Shaqi.
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