The chief of these outsiders, and in a short time the focus of interest
for the entire meeting, was a commonplace-looking middle-aged man
who had traveled all the way from New Orleans for certain special
information unobtainable from any local source. His name was John
Raymond Legrasse, and he was by profession an inspector of police. With
him he bore the subject of his visit, a grotesque, repulsive, and
apparently very ancient stone statuette whose origin he was at a loss
to determine.
It must not be fancied that Inspector Legrasse had the least interest
in archeology. On the contrary, his wish for enlightenment was prompted
by purely professional considerations. The statuette, idol, fetish,
or whatever it was, had been captured some months before in the
wooded swamps south of New Orleans during a raid on a supposed voodoo
meeting; and so singular and hideous were the rites connected with
it, that the police could not but realize that they had stumbled on a
dark cult totally unknown to them, and infinitely more diabolic than
even the blackest of the African voodoo circles. Of its origin, apart
from the erratic and unbelievable tales extorted from the captured
members, absolutely nothing was to be discovered; hence the anxiety
of the police for any antiquarian lore which might help them to place
the frightful symbol, and through it track down the cult to its
fountain-head.
Inspector Legrasse was scarcely prepared for the sensation which his
offering created. One sight of the thing had been enough to throw the
assembled men of science into a state of tense excitement, and they
lost no time in crowding around him to gaze at the diminutive figure
whose utter strangeness and air of genuinely abysmal antiquity hinted
so potently at unopened and archaic vistas. No recognized school of
sculpture had animated this terrible object, yet centuries and even
thousands of years seemed recorded in its dim and greenish surface of
unplaceable stone.
Public-domain text, read in full here on John Shaqi.
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