Cumberland Mountains -- Fiction; Mountain life -- Fiction
It was afternoon when Purvy reached the hospital, and, at nightfall of
the same day, there arrived at his store's entrance, on stumbling, hard
-ridden mules, several men, followed by two tawny hounds whose long ears
flapped over their lean jaws, and whose eyes were listless and tired,
but whose black muzzles wrinkled and sniffed with that sensitive
instinct which follows the man-scent. The ex-sheriff's family were
instituting proceedings independent of the Chief's orders. The next
morning, this party plunged into the mountain tangle, and beat the
cover with the bloodhounds in leash.
The two gentle-faced dogs picked their way between the flowering
rhododendrons, the glistening laurels, the feathery pine sprouts and
the moss-covered rocks. They went gingerly and alertly on ungainly,
cushioned feet. Just as their masters were despairing, they came to a
place directly over the store, where a branch had been bent back and
hitched to clear the outlook, and where a boot heel had crushed the
moss. There one of them raised his nose high into the air, opened his
mouth, and let out a long, deep-chested bay of discovery.
CHAPTER VI
George Lescott had known hospitality of many brands and degrees. He
had been the lionized celebrity in places of fashion. He had been the
guest of equally famous brother artists in the cities of two
hemispheres, and, since sincere painting had been his pole-star, he had
gone where his art's wanderlust beckoned. His most famous canvas,
perhaps, was his "Prayer Toward Mecca," which hangs in the
Metropolitan. It shows, with a power that holds the observer in a
compelling grip, the wonderful colors of a sunset across the desert.
One seems to feel the renewed life that comes to the caravan with the
welcome of the oasis. One seems to hear the grunting of the kneeling
camels and the stirring of the date palms. The Bedouins have spread
their prayer-rugs, and behind them burns the west. Lescott caught in
that, as he had caught in his mountain sketches, the broad spirit of
the thing. To paint that canvas, he had endured days of racking camel
-travel and burning heat and thirst. He had followed the lure of
transitory beauty to remote sections of the world. The present trip was
only one of many like it, which had brought him into touch with varying
peoples and distinctive types of life. He told himself that never had
he found men at once so crude and so courteous as these hosts, who,
facing personal perils, had still time and willingness to regard his
comfort.
They could not speak grammatically; they could hardly offer him the
necessities of life, yet they gave all they had, with a touch of
courtliness.
In a fabric soiled and threadbare, one may sometimes trace the
tarnished design that erstwhile ran in gold through a rich pattern.
Lescott could not but think of some fine old growth gone to seed and
decay, but still bearing at its crest a single beautiful blossom while
it held in its veins a poison.
Public-domain text, read in full here on John Shaqi.
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