"I had other things to attend to," said Rutledge shortly. "Where is
Miss Phillips this afternoon?"
"She’s out on the river with Mr. Morgan. They will not be back till
dinner, so you would just as well sit down here and talk to me.... But
I’m sorry you didn’t volunteer—you will never be my brother now.... And
I was beginning to like you so much."
"I thank you, little girl, for your attempt to think well of me. I see
that I have sinned past your forgiveness in not being a hero. Remember
that it is only because ninety and nine men are commonplace that the
hundredth may be a hero. I am one of the ninety and nine that make the
hero possible—a modest king-maker, in a way. A hero must have some one
else to fight for, or die for, or live for. He cannot do these things
for himself, for that would make him anything but a hero. So you see
that the second person is as necessary to the process of hero-making as
the hero himself. It’s all in the process and not in the product,
anyway. It’s the hero in act and not in fact, in the making and not in
the taking, that enjoys his own heroism and is worth our interest. While
he is making himself he thrills with the effort and with the uncertainty
as to whether he will get a commission, a lathe-and-plaster arch, or a
court of inquiry; and we the ninety and nine, we thrill with the
gambling fever and make wagers that his trolley will get off the wire.
But when he gets himself done—clean done, so to speak, wrapped in
tinfoil and ready for use—then there is nothing left for the hero to do
but to pose and await our applause—which is most unheroic; and we, after
one whoop, forget him in the excitement of watching the next candidate
risk his neck. Besides, the hero’s work in hero-making is temporary and
limited, for he stops with making one; but we, when we have finished
with one, turn to the making of another, and our work is never done.
While I am not even one hero, I have helped to make a hundred. Come
now—you are generous and unselfish—which would you most admire, one
finished hero listening for applause, or a hero-maker, who, without
reward or the hope of reward, modestly and continuously assists in thus
bringing glory to an endless procession of his fellows?"
"You think you are brilliant, Mr. Rutledge," answered Helen with an
impatient toss of her head, "but you can’t confuse me by any such talk
as that. You needn’t think you will be able to persuade Elise by any
long jumble of words that you are greater than a hero. A king-maker!"
She laughed mockingly at him.
"Don’t fear that I will use any sophistry or doubtful method to become
your brother," Rutledge rejoined amusedly. "I have only one thing to
tell Miss Phillips."
"And what is that?" asked Helen with interest.
"I am inexpressibly pained to refuse your lightest wish," said Rutledge
grandiloquently, "but to grant your request would be—telling; and I
may—not tell,—perhaps,—even Miss Phillips."
Public-domain text, read in full here on John Shaqi.
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