The Call of the Town: A Tale of Literary LifeHammerton, J. A. (John Alexander)
General
The Call of the Town: A Tale of Literary Life
Hammerton, J. A. (John Alexander)
England -- Social life and customs -- Fiction; Journalists -- Fiction
The ancient Parish Church, with its curious old chained library and bits
of Saxon masonry, "perfectly unique," as Mr. Godfrey Needham, the vicar,
used to say, and the one wide street of quaint old houses, with their
half-timbered fronts, remain to this day much as they were, no doubt,
when good Queen Bess ruled England. But the thirsty cyclist, whose
throat may happen to be parched at this particular stage of his journey,
is a poor substitute for the old-time stage-coach which made Hampton
Bagot a place of change. Somehow, the village continues to exist, though
its few hundred people scrape their livings in ways that are not obvious
to the casual visitor. The surrounding district is richly pastoral,
plentifully sprinkled with cosy farm-houses, and here, perhaps, we have
the reason why Hampton continues under the sun.
If you wandered along the few hundred yards of street, and noted the
various substitutes for shops, in which oranges and sweets and babies'
clothing mingle familiarly with hams and shoe-laces, you would be struck
by the more pretentious exterior of one which bears in crudely-painted
letters the legend, EDWARD JOHN CHARLES, and underneath, in smaller
characters, the words POST OFFICE. The building, a two-storied one, with
the familiar blackened timbers supporting high-pitched gables, and a
bay-window of lozenged glass, was, at the time of which I write, the
place of next importance in the village to the "Wings and Spur." Behind
this window, and by peering closely, one could see dusty packets of
writing-paper and fly-blown envelopes, a few cheap books, clay and briar
pipes, tobacco, and some withered-looking cigars. Below the window,
after diligent search, a slit for the admission of letters might be
found.
But while the place itself would easily have been passed over, not so
the figure at the door; for there, most days of the week and most hours
of the day, stood the portly form of Edward John Charles himself.
It was as though the legend overhead referred to the man beneath, and
the smile usually on his face spoke of contentment with himself and the
world at large. His face was ruddy and clean-shaven, as he chose to coax
his whisker underneath his chin, where it sprouted so amply that the
need to wear a collar or a tie did not exist; certainly, was not
recognised.
Public-domain text, read in full here on John Shaqi.
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