The Call of the Town: A Tale of Literary Life — John Shaqi
The Call of the Town: A Tale of Literary LifeHammerton, J. A. (John Alexander)
General
The Call of the Town: A Tale of Literary Life
Hammerton, J. A. (John Alexander)
England -- Social life and customs -- Fiction; Journalists -- Fiction
WHEN Henry was seated alongside the carrier that fateful morning long
ago--Henry, you must be more than twenty-two!--he had to pass the
cottage of old Carne the sexton, and a sweet face, jewelled with a pair
of violet eyes, looked out between the curtains, a girl's hand rattled
on the window-pane. The owner of these eyes had been playing with a
caterpillar when Henry went round the village telling everybody he met
that he was going away to Stratford--her among the rest. But surely that
was ages ago! "I could never have been such a young ass," Henry would
say to a certainty if you were to ask him at the mirror.
Well, here is Eunice Lyndon in proof of the fact that it was almost six
years since. At all events, she says she is just nineteen, and she was
thirteen then. She doesn't play with caterpillars now; but her eyes are
certainly violet, though Henry probably thought they were blue, if he
thought of them at all.
The six years have wrought wonders in the girl who rattled on the
window when Henry went forth to the fray.
For one thing, Eunice, who was the chum of Dora, and thus a frequent
visitor in the Charles household, had discredited the croakers by
continuing to live and even to strengthen, despite the fact of her
mother's consumptive end. Poor Mrs. Charles, who had seldom a chance of
opening her mouth on any topic, never avoided stating, as an article of
her faith, that all children of consumptive parents were doomed as
clearly as though their sentence had been passed by a hanging judge. It
was positively an insult to her and to many another anxious mother for
the progeny of consumptive parents to go on living. For such to wax
strong was against Nature, and in the teeth of medical experience.
Eunice had offended Nature, diddled the doctors, and looked all the
better for the offence. The pasty whiteness of her girlhood had given
place to a creamy freshness, which blended perfectly with her high
colour--so you see her red cheeks were not the flame of consumption, but
the bloom of health. Her colour was of that intensity which seems to
come from the atmosphere around the face, and to shine upon the skin as
a shaft of ruby light, carried by the sunbeams through a cathedral
window, glows on a marble statue.
Her features were pretty, but with no mere prettiness. They were marked
by character. The nose would have been a despised model for a Grecian;
the mouth not dollishly small, yet small, firm-set, the firmness being
saved from shrewish suggestion by an upward ending of the lips. Eunice
had a chin; a most essential quality in man and woman, sometimes
unhappily omitted. A chin that said: "Yes, I mean what I say; and I mean
to say what I mean." Eyes that--well, they were violet eyes, and what
more can one say? A forehead not high, but wide, to carry a wealth of
lustrous dark hair.
Public-domain text, read in full here on John Shaqi.
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