“Behind the choir is a most beautiful chapel, with a rich roof of carved stone, built by Vaughan, in the time of Henry VIII. as a kind of presbytery, between the choir and Lady chapel. In the last, whose roof, as well as those of the ailes of the choir and transepts, have been down ever since the civil war, are monuments for three bishops, and in the nave, &c. four or five more. In the North wall of the choir is the shrine of St. David, a kind of altar tomb, with a canopy of four pointed arches, and in front four quatrefoil holes, into which the votaries put their offerings, which were taken out by the Monks at two iron doors behind. In the choir are also the monuments of Owen Tudor, second husband of Queen Catharine, Rhys ap Tudor, {52a} Bishops Jorwerth and Anselm, in the 13th century, and Edmund Earl of Richmond, father of Henry VII. This last monument is said to have prevented Henry VIII. from removing the see to Caermarthen. Giraldus Cambrensis, who was Archdeacon of Brecon, canon of Hereford, and Rector of Chesterton, Oxford, was buried here 1213. {52b} On the North side of the church are some walls of St. Mary’s College, founded by Bishop Houghton, and John of Gaunt, 1365, valued at 106_l._ _per annum_.” {52c} It is much to be regretted, that so little regard has been paid to the internal appearance of this noble pile; the whole of it has lately been white-washed, which gives it too much the air of a modern building: the external part, I am sorry to add, has been equally neglected; and the chapels and monuments exposed to the wanton mischief of boys and idle people. The West front of the Cathedral has very lately been repaired by a Mr. Nash, {53} who has endeavoured, with bad success, to imitate the beautiful circular window remaining in the ruins of the Bishop’s Palace. The stone, likewise, with which it is built, is of so soft a substance, that it even moulders with the touch of the finger; but possibly it may, by being exposed to the air, like the Bath stone, become more solid; and, when by time it shall have acquired a darker hue, may then better correspond with the original building. The Bishop’s Palace now stands a monument of desolation;—and as we walked over the loose fragments of stone, which are scattered through the immense area of the fabric, the images of former times rose to reflection,—when the spacious hall stood proudly in their original splendour; when the long ailes of the chapel were only responsive to the solemn, slow-breathed chaunt. In this Palace is a very long room, purposely erected for the reception of King John: at the extremity of it is a circular window, of very elegant and curious workmanship.