The Cambrian Tourist, or, Post-Chaise Companion through Wales [1834]: Containing cursory sketches of the Welsh territories, and a description of the manners, customs, and games of the nativesAnonymous
History
The Cambrian Tourist, or, Post-Chaise Companion through Wales [1834]: Containing cursory sketches of the Welsh territories, and a description of the manners, customs, and games of the natives
Anonymous
Wales -- Guidebooks
“The entrance to the house is in the middle of the west front, under a
vaulted portico, which admits a carriage to the steps that lead to the
hall, a spacious and lofty room, occupying the height of two stories,
with a vaulted ceiling, embellished with the Grosvenor arms, &c. in the
knots that cover the junction of the ribs. The pavement is of variegated
marbles in Gothic compartments. On each of the sides is an ornamented
marble chimney-piece, and four niches with pedestals and canopies. The
niches, it is probable, will hereafter be filled with statues, and the
walls covered with historical paintings; for which no family can furnish
more ample materials, as the heads of it were engaged in most of the
military transactions of the English in the chivalrous ages. At the end
of the hall, a screen of five arches supports a gallery, that connects
the bed-chambers on the north side of the house with those on the south,
which are separated by the elevation of the hall. Under this gallery,
two open arches to the right and left conduct to the grand staircase, the
state bed-room, and the second staircase; and opposite to the door of the
hall is the entrance to the saloon. The grand staircase is highly
ornamented with niches and canopies, and with tracery under the landings,
and, in the principal ceiling, which is crowned with a double sky-light
of various-coloured glass. The steps of the second staircase, with its
tracery and balustrade, are all of cast-iron. The state bed-room is
lighted by two painted windows, with tracery and armorial bearings, and
contains a magnificent bed. On entering the saloon, the eye is struck
with the splendour of three lofty painted windows, which contain, in six
divisions, the portraits of the Conqueror’s nephew, Gilbert le Grosvenor,
the founder of the Grosvenor family, and his lady; of William the
Conqueror, with whom Gilbert came into England; the Bishop of Bayeux,
uncle to the Conqueror; the heiress of the house of Eaton; and Sir Robert
le Grosvenor; who distinguished himself in the wars of Edward the Third,
and more particularly by his legal contest with Sir Richard le Scroope,
for the family arms—_azure_, _one bend_, _or_; in which Sir Richard
gained his point. Sir Robert being obliged to add to them _un bordure
argent_—objecting to which, he was allowed to bear the arms of his
relation, Hugh Lupus, first Earl of Chester, _azure_, _a garbe_, _or_,
which is the family coat to this day. These windows are from cartoons by
Mr. Tresham and others. The saloon is a square of thirty feet, formed
into an octagon by arches across the angles, which give the vaultings a
beautiful form. The chimney-piece is of statuary marble, and opposite to
it is an organ, both richly decorated. On the left of the saloon is an
ante-room, that leads to the dining-room, and on the right another that
leads to the drawing-room, both decorated, but in a subordinate degree to
the state rooms, with which they communicate.
Public-domain text, read in full here on John Shaqi.
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