The Cambrian Tourist, or, Post-Chaise Companion through Wales [1834]: Containing cursory sketches of the Welsh territories, and a description of the manners, customs, and games of the nativesAnonymous
History
The Cambrian Tourist, or, Post-Chaise Companion through Wales [1834]: Containing cursory sketches of the Welsh territories, and a description of the manners, customs, and games of the natives
Anonymous
Wales -- Guidebooks
The windows of these rooms
are glazed with a light mosaic tracery, and exhibit the portraits of the
six earls of Chester, who, after Hugh Lupus, governed Cheshire as a
county palatine, till Henry the Third bestowed the title on his son
Edward; since which time the eldest sons of the kings of England have
always been Earls of Chester.
“The dining-room, situated at the northern extremity of the east front,
is about fifty feet long, and thirty feet wide, exclusive of a bow
containing five arched windows; the opening of which is thirty feet. In
the middle window is the portrait of Hugh Lupus. This portrait, with the
six Earls of Chester in the ante-room windows, are the work of Messrs.
Davenport, of Staffordshire, from cartoons by Mr. Singleton. The ceiling
is of bold and rich tracery, with coats of arms in proper colours, and a
large ornamented pendant for a chandelier. At the end, opposite to the
entrance, is an arched recess, containing the sideboard, and on each side
of it is a large niche, with its pedestal and canopy. The opposite end
of the room has a similar recess, under which is the door from the
ante-room, and similar niches on each side of it. Other niches and
canopies, of smaller size, ornament the jambs of the arched recess and
the bow.
“The drawing-room, which is at the southern extremity of the east front,
is of the same form and dimensions as the dining-room; with the addition
of a large window that looks to the south, and commands a view of the
groves and fertile meadows of Eaton, with the village and spire of
Oldford above them. All the windows of this room are adorned with heads
and figures of the ancestors of the family; among which are the portraits
of the present Earl and Countess, in a beautiful brown _chiaro-oscuro_,
executed by Messrs. Bachelor and Silk, of Newman-street, and do credit to
the talents of those ingenious artists. The niches, canopies, and other
ornaments, are the same in situation as those of the dining-room, but of
a lighter and richer design. The ceiling is a piece of embroidery of the
nicest materials and workmanship; where all the coats borne by the
Grosvenor family are blazoned in their proper colours, and also the arms
of Egerton, Earl of Wilton, the father of the present Countess Grosvenor.
The arms of Egerton appear in various parts of the house, and will mark
the date of this fabric to future antiquaries, if all other memorials
should be forgotten or destroyed. The colour of the saloon is blue, the
ante dining-room of light blue, the dining-room of a bright scarlet, the
ante drawing-room is hung with light blue satin, the drawing-room with
crimson velvet: the curtains and draperies are of crimson and gold satin,
with gold tassels and fringes, disposed in a striking and picturesque
manner by Messrs. Gillow, under the direction of Joseph Kay, Esq.
architect to the post-office. All the other furniture of these
apartments is the work of the same artificers, and appropriate to the
Public-domain text, read in full here on John Shaqi.
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