As you top Stamford Hill, you glimpse the valley of the Lea and its factory-studded marshes, and come presently to Tottenham High Cross. No need to linger nowadays over the scenery of this populous road, lined with shops and villas and crowded with tramways and omnibuses; no need, that is to say, except for association's sake, and to remark that it was here Piscator called a halt to Venator and Auceps, on their way to the Thatched House at Hoddesdon, now going on for two hundred and fifty years ago. "Let us now" (he said) "rest ourselves in this sweet, shady arbour, which Nature herself has woven with her own fine fingers; it is such a contexture of woodbines, sweet briars, jessamine, and myrtle, and so interwoven as will secure us both from the sun's violent heat and from the approaching shower." And so they sat and discussed a bottle of sack, with oranges and milk. [Illustration: TOTTENHAM CROSS.] So gracious a "contexture" is far to seek from Tottenham nowadays. If you need shelter from the approaching shower you can, it is true, obtain it more securely in the doorway of a shop than under a hedgerow in May, when Nature has not nearly finished her weaving; but there is something lacking in the exchange. Tottenham High Cross that stands here by, over against the Green, is a very dubious affair indeed; an impostor that would delude you if possible into the idea that it is one of the Eleanor Crosses; with a will-o'-wisp kind of history, from the time in 1466, when it is found mentioned only as existing, to after ages, when it was new-built of brick and thereafter horribly stuccoed, to the present, when it is become a jibe and a jeer in its would-be Gothic. [Illustration: A LONDON SUBURB IN 1816: TOTTENHAM. [From a Drawing by Rowlandson.]] Much of old Tottenham is gone. Gone are the "Seven Sisters," the seven elms that stood here in a circle, with a walnut-tree in their midst, marking, as tradition would have you believe, the resting-place of a martyr; but in their stead is the beginning of the Seven Sisters' Road: not a thoroughfare whose romance leaps to the eye. What these then remote suburbs were like in 1816 may be seen in this charming sketch of Rowlandson's, where he is found in his more sober mood. The milestone in the sketch marks four and three-quarter miles from Shoreditch: this is therefore a scene at Tottenham, where the tramway runs nowadays, costermongers' barrows line the gutters, and crowds press, night and day. Little enough traffic in Rowlandson's time, evidently, for the fowls and the pigs are taking their ease in the very middle of the footpath.