The Cambridge, Ely, and King's Lynn Road: The Great Fenland HighwayHarper, Charles G. (Charles George)
History
The Cambridge, Ely, and King's Lynn Road: The Great Fenland Highway
Harper, Charles G. (Charles George)
England -- Description and travel; Fens, The (England) -- Description and travel
There are almost as many originals of John Gilpin as there are of
Sam Weller. There used to be numbers of respectable and ordinarily
dependable people who were convinced they knew the original of Sam
Weller, in dozens of different persons and in widely-sundered towns,
and the literary world is even now debating as to who sat as the model
for Squeers. So far back as the reign of Henry the Eighth the ludicrous
idea of a London citizen trying to ride horseback to Edmonton made
people laugh, and on it Sir Thomas More based his metrical "Merry Jest
of the Serjeant and the Frère." It would be no surprise to discover
that Aristophanes or another waggish ancient Greek had used the same
idea to poke fun at some clumsy Athenian, and that, even so, it was
stolen from the Egyptians. Indeed, I have no doubt that the germ of the
story is to be found in the awkwardness of one of Noah's sons in trying
to ride an unaccustomed animal into the Ark.
The immediate supposititious originals of John Gilpin were many. Some
identified him with a Mr. Beger, a Cheapside draper, who died in 1791,
aged one hundred. Others found him in Commodore Trunnion, in _Peregrine
Pickle_, and a John Gilpin lies in Westminster Abbey. The _Gentleman's
Magazine_ in 1790, five years after Cowper's poem became the rage,
records the death at Bath of a Mr. Jonathan Gilpin, "the gentleman who
was so severely ridiculed for bad horsemanship under the title of 'John
Gilpin.'" All accidental resemblances and odd coincidences, without
doubt.
But if John had no corporeal existence, the Bell at Edmonton--at Upper
Edmonton, to be precise--was a very real place, and, in an altered
form, still is. Who could doubt of the man who ever saw the house?
Is not the present Bell real enough, and, for that matter, ugly
enough? and is not the picture of John, wigless and breathless, and
his coat-tails flying, sufficiently prominent on the sign? The present
building is the third since Cowper's time, and is just an ordinary
vulgar London "public," standing at the corner of a shabby street
(where there are _no_ trees), called, with horrible alliteration,
"Gilpin Grove."
Public-domain text, read in full here on John Shaqi.
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