The Cambridge, Ely, and King's Lynn Road: The Great Fenland Highway — John Shaqi
The Cambridge, Ely, and King's Lynn Road: The Great Fenland HighwayHarper, Charles G. (Charles George)
History
The Cambridge, Ely, and King's Lynn Road: The Great Fenland Highway
Harper, Charles G. (Charles George)
England -- Description and travel; Fens, The (England) -- Description and travel
One of the most curious of literary phenomena is this Lamb worship.
Dingy, twittering little London sparrow that he was, diligent digger-up
of Elizabethan archaisms with which to tune his chirpings, he seems
often to have inspired the warmest of personal admiration. As the
"gentle Elia" one finds him always referred to, and a halo of romance
has been thrown about him and his doings to which neither he nor
they can in reality lay much claim. Romance flies abashed before the
picture of Lamb and his sister diluting down the poet of all time in
the _Tales from Shakespeare_: Charles sipping gin between whiles, and
Mary vigorously snuffing. Nor was his wit of the kindly sort readily
associated with the epithet "gentle." It flowed the more readily after
copious libations of gin-and-water, and resolved itself at such times
into the offensive, if humorous, personalities that were the stock
in trade of early nineteenth-century witlings. His famous witticism
at a card-party on one who had hands not of the cleanest ("If dirt
were trumps, what a hand you'd have") must have been bred of the
juniper berry. Stuttering and blue-lipped the next morning, he was
an object of pity or derision, just according to the charity of those
who beheld him. Carlyle, who knew Lamb in his latter days, draws him
as he was, in one of those unmerciful pen-portraits he could create
so well:--"Charles Lamb and his sister came daily once or oftener; a
very sorry pair of phenomena. Insuperable proclivity to gin in poor
old Lamb. His talk contemptibly small, indicating wondrous ignorance
and shallowness, even when it was serious and good-mannered, which it
seldom was, usually ill-mannered (to a degree), screwed into frosty
artificialities, ghastly make-believe of wit, in fact more like
'diluted insanity' (as I defined it) than anything of real jocosity,
humour, or geniality. A most slender fibre of actual worth in that poor
Charles, abundantly recognisable to me as to others, in his better
times and moods; but he was Cockney to the marrow; and Cockneydom,
shouting 'glorious, marvellous, unparalleled in nature!' all his days
had quite bewildered his poor head, and churned nearly all the sense
out of the poor man. He was the leanest of mankind, tiny black breeches
buttoned to the knee-cap, and no further, surmounting spindle-legs
also in black, face and head fineish, black, bony, lean, and of a
Jew type rather; in the eyes a kind of smoky brightness or confused
sharpness; spoke with a stutter; in walking tottered and shuffled;
emblem of imbecility bodily and spiritual (something of real insanity I
have understood), and yet something too of human, ingenuous, pathetic,
sportfully much enduring. Poor Lamb! he was infinitely astonished at
my wife and her quiet encounter of his too ghastly London wit by a
cheerful native ditto. Adieu, poor Lamb!"
Public-domain text, read in full here on John Shaqi.
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