The Cambridge natural history, Vol. 08 (of 10)Gadow, Hans
Science
The Cambridge natural history, Vol. 08 (of 10)
Gadow, Hans
Animals
Tree-frogs turn green as the result of the contact with leaves. {36}Dark
frogs will turn green when put into an absolutely dark vessel in which
there are leaves. This is reflex action, and blinded specimens do the same.
The principal centres of the nerves which control the chromatophores, lie
in the corpora bigemina and in the optic thalami of the brain. When these
centres are destroyed, the frog no longer changes colour when put upon
leaves, but if a nerve, for instance the sciatic, be stimulated, the
corresponding portion of the body, in this case the leg, turns green. Rough
surfaces cause a sensation which makes the frog turn dark. _Rana_ seems to
depend chiefly upon temperature and the amount of moisture in the air, so
far as its changes of colour are concerned. Biedermann concludes that the
"chromatic function of frogs in general depends chiefly upon the sensory
impressions received by the skin, while that of fishes depends upon the
eye."
All this sounds very well, but the observations and experiments are such as
are usual in physiological laboratories, and the frogs, when observed in
their native haunts, or even when kept under proper conditions, do not
always behave as the physiologist thinks they should. There is no doubt
that in many cases the changes of colour are not voluntary, but reflex
actions. It is quite conceivable that the sensation of sitting on a rough
surface starts a whole train of processes: roughness means bark, bark is
brown, change into brown; but one and the same tree-frog does not always
assume the colour of the bark when it rests, or even sleeps upon, such a
piece. He will, if it suits him, remain grass-green upon a yellow stone, or
on a white window-frame. I purposely describe such conditions, changes,
coincidences, and discrepancies in various species, notably in _Hyla
arborea_, _H. coerulea_, _Rana temporaria_, _Bufo viridis_, to show that in
many cases the creature knows what it is about, and that the eye plays a
very important part in the decision of what colour is to be produced. The
sensory impression received through the skin of the belly is the same, no
matter if the board be painted white, black, or green, and how does it then
come to pass that the frog adjusts its colour to a nicety to the general
hue or tone of its surroundings?
Boulenger[16] has given us a summary of the action of the POISON of
Amphibia:
Public-domain text, read in full here on John Shaqi.
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