The Camel and the Needle's EyePonsonby, Arthur Ponsonby, Baron
Philosophy
The Camel and the Needle's Eye
Ponsonby, Arthur Ponsonby, Baron
Wealth; Wealth -- Moral and ethical aspects
One would have imagined that the so-called sporting instinct which we
are so proud of nurturing in our public schools and the spirit of fair
play would have made men ashamed to continue to lead lives solely and
systematically devoted to extravagance and selfish enjoyment while so
many of their fellow-men are condemned to the dismal existence of toil
and squalor, even if they refused to admit that the one influenced the
other. There are, of course, people in this society who endeavour, more
or less successfully, to stand up against the drift of fashion and are
conscious of the falseness of their privileged position, but they are
exceptional. It appears to be impossible for the very great majority to
get the delusion out of their heads that, by pensions and doles, and
charities and patronage, and presents of game and subscriptions, and
the employment of people in senseless occupations, they are doing all
that can be expected of them to help “the lower orders.”
If in all this luxury there were some trace of splendour or
magnificence, if art, literature, or music were generously patronised,
and beauty and good taste appreciated, some slight justification or
excuse for it might be found. The rich magnates of Renaissance Italy
or eighteenth-century France had, on the whole, a favourable though
capricious influence on art and literature. But the rich magnates
of twentieth-century England are chiefly noted for the deplorable
vulgarity of their taste and their ignorance of the best works in
painting, literature, and music. At the best, some few of them are
collectors, and if ever they seek the advice of experts to establish
some permanent method for the encouragement of the arts, too often
their motive is not any profound reverence for artistic beauty, but the
spurious fame or titular distinctions they can gain by this means. The
private collections they form are rarely exhibited, and being withheld
from the public view and from popular appreciation, the true function
of these great works of art is almost nullified.
Taking it as a whole, the manner of living of this set of people
would not be worth a moment’s attention were it not that human beings
are being sacrificed and talents and capacity prostituted, and that
the example set by these few is assiduously studied and followed by a
large section of the population who aspire to associate with those of
higher rank and greater wealth. So it is that special notice is taken
of all they do; the limelight is turned full upon them, and nothing can
surpass the servility of that section of the public press that recounts
the doings of these parasites, describing with intense solemnity
their entertainments and their hunting and shooting exploits, and
giving embarrassingly intimate episodes from their private lives for
public consumption. By publishing broadcast these alluring pictures it
attempts to glorify their profitless and empty existence.
Public-domain text, read in full here on John Shaqi.
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