Pocket took observations from the edge of his chair. The room was full
of walnut trivialities that looked aggressively obsolete in the
sunshine that filled it and flooded a green little garden at the back
of the house. Dr. Baumgartner had pulled up a blind and opened a
window, and he stood looking out in thought while Pocket hurriedly
completed his optical round. A set of walnut chairs were dreadfully
upholstered in faded tapestry; but a deep, worn one looked comfortable
enough, and a still more redeeming feature was the semi-grand piano.
There were books, too, and in the far corner by the bow-window a glass
door leading into a conservatory as minute as Pocket’s study at school,
and filled with geraniums. On the walls hung a series of battle
engravings, one representing a bloody advance over ridged fields in
murderously close formation, others the storming of heights and
villages.
Baumgartner met his visitor’s eyes with the faint cold smile that
scarcely softened the hoary harshness of his visage.
“I was present at some of those engagements,” said he. “They were not
worse than disarming a man who has just fired a revolver in his sleep!”
He flung his cloak upon one of the walnut chairs, and Pocket heard the
pistol inside it rattle against the back; but his attention was
distracted before he had time to resent the forgotten fact of its
forcible confiscation. Under his cloak the doctor had been carrying all
this time, slung by a strap which the boy had noticed across his chest,
a stereoscopic camera without a case. Pocket exclaimed upon it with the
instructed interest of a keen photographer.
“Do you take photographs?” asked Baumgartner, a reciprocal note in his
unemotional voice.
“Rather!” cried the schoolboy, with considerable enthusiasm. “It’s the
only thing I have to do instead of playing games. But I haven’t got an
instantaneous camera like that. I only wish I had!”
And he looked with longing eyes at the substantial oblong of wood and
black morocco, and duplicate lenses like a pair of spectacles, which
the doctor had set between them on one of the fussy little walnut
tables.
CHAPTER V.
THE GLASS EYE
Dr. Baumgartner produced a seasoned meerschaum, carved in the likeness
of a most ferocious face, and put a pinch of dark tobacco through the
turban into the bowl. “You see,” said he, “I must have my smoke like
you! I can’t do without it either, though what is your misfortune is my
own fault. So you are also a photographer!” he added, as the fumes of a
mixture containing latakia spiced the morning air.
“I am only a beginner,” responded Pocket, “but a very keen one.”
“You don’t merely press the button and let them do the rest?”
suggested the doctor, smiling less coldly under the influence of his
pipe.
“Rather not! I develop, print, tone, and all the rest of it; that’s
half the fun.”
“Plates or films?” inquired Baumgartner, with an approving nod.
“Only plates, I’m afraid; you see, the apparatus is an old one of my
father’s.”
Public-domain text, read in full here on John Shaqi.
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