The Camp Fire Girls in the Outside WorldVandercook, Margaret
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The Camp Fire Girls in the Outside World
Vandercook, Margaret
Camp Fire Girls -- Juvenile fiction
Fortunately she had been writing that she did not believe that she
would come home for the Christmas holidays. She did wish to see her
mother and Mollie and Betty, of course, and had almost given way to
this longing only an hour before. But now, had not fate itself
intervened, flinging her into the path of her desire? And Polly was
Irish and had always declared that she believed in the leadings of
fate, even when her mother and sister had insisted that fate and her
own wish were too often confused in her mind.
Had she not hidden herself in the corner when the theatrical manager
entered the room, with every intention of running away as soon as she
could escape unobserved? And then had he not suddenly swooped down
upon her, selecting her from the dozens of other applicants? Polly was
not exactly sure of what had happened, except that the man had said
that she looked the part of the character he was after. The fact that
she had confessed having had no stage experience had not even deterred
him. The new play was to be chiefly for young people and the manager
particularly required youthful actors and actresses.
The play to be produced was the dramatization of a wonderful old
Bohemian fairy story, which Polly remembered to have read years before,
called "The Castle of Life." The story is that of a little boy,
Grazioso, brought up by his grandmother, whom he loves better than all
else in the world. Then one day he sees that the grandmother is
growing old and fears that she must soon leave him. And so he sets out
to find "The Castle of Life" in order once more to bring back youth to
the old woman. The play follows his adventures on the road to the
castle, and includes his meeting with two fairies--the Fairy of the
Woods and the Fairy of the Water. Polly was to impersonate the wood
spirit.
Her appearance did suggest the character, though naturally she could
not appreciate this fact. But there was always something a bit eerie
and fantastic about her, something not exactly of the everyday
world--her high cheekbones and thin, emotional face with its scarlet
lips and intense expression faintly foreshadowing an unusual future.
Public-domain text, read in full here on John Shaqi.
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