The Camp of Refuge: A Tale of the Conquest of the Isle of ElyMacFarlane, Charles
History
The Camp of Refuge: A Tale of the Conquest of the Isle of Ely
MacFarlane, Charles
Great Britain -- History -- Medieval period, 1066-1485 -- Fiction
Note C. Ovin’s Cross at Ely 481
Note D. Spalding Priory 481
Note E. Archbishop Parker’s Salt Vat 481
Note F. Abbey of S. Alban 482
Note G. Crowland Abbey 482
Note H. Ramsey Abbey 483
Note I. Thorney Abbey 483
Note J. King’s Lynn in the 18th Century 484
Note K. Camp of Refuge Surrendered 485
Note L. Peterborough Abbey 486
Note M. The Gift of Brand 487
Note N. Knut’s Visit to Ely 487
Fenland Bibliography 487
Maps—The Isle of Ely (_Frontispiece._)
The Fen District.
Ground Plan of the Spalding Monastery and Boundaries,
_from Dugdale’s Monasticon_ (_to face page 481._)
THE FEN DISTRICT.
[Illustration:
_Horace E. Miller, del._
MAP _to_ “CAMP OF REFUGE.”]
THE CAMP OF REFUGE.
CHAPTER I.
THE MESSENGER.
It was long ago; it was in the year of grace one thousand and seventy,
or four years after the battle of Hastings, which decided the right of
power between the English and Norman nations, and left the old Saxon
race exposed to the goadings of the sharp Norman lance, that a novice
went on his way from the grand abbey of Crowland to the dependent house
or succursal cell of Spalding,[1] in the midst of the Lincolnshire
fens. The young man carried a long staff or pole in his hand, with
which he aided himself in leaping across the numerous ditches and
rivulets that intersected his path, and in trying the boggy ground
before he ventured to set his feet upon it. The upper end of his staff
was fashioned like unto the staff of a pilgrim, but the lower end was
armed with a heavy iron ferrule, from which projected sundry long steel
nails or spikes. It was a fen-pole,[2] such, I wist, as our fenners yet
use in Holland, Lindsey, and Kesteven. In a strong and bold hand this
staff might be a good war-weapon; and as the young man raised the
skirts of his black garment it might have been seen that he had a short
broad hunting-knife fastened to his girdle. He was a fair-haired,
blue-eyed, and full-lipped youth, with an open countenance and a ruddy
complexion: the face seemed made to express none but joyous feelings,
so that the grief and anxiety which now clouded it appeared to be quite
out of place. Nor was that cloud always there, for whensoever the
autumn sun shone out brightly, and some opening in the monotonous
Public-domain text, read in full here on John Shaqi.
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