Now that the next world had cast its supernatural light on Gione's countenance, Karlson loved her too much to be capable of assisting at the ceremony of losing her forever. I will give you the opinion I formed of her by listening to his description. Even by a love and a praise in a person's absence we may be won; how much more, then, if both are thrown to us as farewell kisses after the ascent to Heaven! Therefore the idea of the future funeral procession behind my gay, richly decorated dust, onion and relic box is only another incentive, not only to drug, but also to absolve myself, for when older we are less missed. And even you, who so seldom hang us, or drive us all to the Devil, I mean, how seldom soever the tempest of anger sours the beer-barrel of your breast! Even you have no more efficacious morsel of white chalk, no better _oleum tartari per deliquium_,[5] with which you can sweeten your internal fluids, than the thought how we shall all turn pale round your death-bed, and be dumb at your grave-mound, and how none will forget you! I cannot possibly believe that there exists one being who, when death draws him into the diving-bell of the grave, will not leave _one_ weeping eye, _one_ bending head behind, and therefore each one can love the soul which will some time weep for him. When I think now of the convalescent Gione, with her wounded heart, which had received a new sensitiveness in the hot electric atmosphere of the sinking thunderbolt of Death, I need not measure her emotion at Karlson's poem, by the dew and hygrometer, nor with the loadstone of her love. But not Wilhelmi's brilliant riches, nor his still more brilliant conduct, her first choice, her first promise, forbade her even to touch the diamond scales.