The Canadian: Photoplay title of The Land of PromiseMaugham, W. Somerset (William Somerset)
General
The Canadian: Photoplay title of The Land of Promise
Maugham, W. Somerset (William Somerset)
Attitude change -- Fiction; Canada -- Fiction; Farm life -- Fiction; Husband and wife -- Fiction
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The Canadian
Photoplay Title of
THE LAND OF PROMISE
A Novelization of W. Somerset Maugham's Play
by
D. TORBETT
Illustrated with Scenes from the Photoplay
A Paramount Picture
Starring Thomas Meighan
[Illustration: LOVE FOR HER HUSBAND IS FINALLY BORN IN NORA.]
Grosset & Dunlap
Publishers, New York
Made in the United States of America.
Copyright, 1914, by
Edward J. Clode
THE LAND OF PROMISE
CHAPTER I
Nora opened her eyes to an unaccustomed consciousness of well-being. She
was dimly aware that it had its origin in something deeper than mere
physical comfort; but for the moment, in that state between sleeping and
wakening, which still held her, it was enough to find that body and mind
seemed rested.
Youth was reasserting itself. And it was only a short time ago that she
had felt that never, never, could she by any possible chance feel young
again. When one is young, one resents the reaction after any strain not
purely physical as if it were a premature symptom of old age.
A ray of brilliant sunshine, which found its way through a gap in the
drawn curtains, showed that it was long past the usual hour for rising.
She smiled whimsically and closed her eyes once more. She remembered now
that she was not in her own little room in the other wing of the house.
The curtains proved that. How often in the ten years she had been with
Miss Wickham had she begged that the staring white window blind, which
decorated her one window, be replaced by curtains or even a blind of a
dark tone that she might not be awakened by the first ray of light. She
had even ventured to propose that the cost of such alterations be
stopped out of her salary. Miss Wickham had refused to countenance any
such innovation.
Three years before, when the offending blind had refused to hold
together any longer, Nora had had a renewal of hope. But no! The new
blind had been more glaringly white than its predecessor, which by
contrast had taken on a grateful ivory tone in its old age. They had had
one of their rare scenes at its advent. Nora had as a rule an admirable
control of her naturally quick temper. But this had been too much.
"I might begin to understand your refusal if you ever entered my room.
But since it would no more occur to you to do so than to visit the
stables, I cannot see what possible difference it can make," Nora had
stormed.
Miss Wickham's smile, which at the beginning of her companion's outburst
had been faintly ironic, had broadened into the frankly humorous.
Public-domain text, read in full here on John Shaqi.
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