The Canadian: Photoplay title of The Land of PromiseMaugham, W. Somerset (William Somerset)
General
The Canadian: Photoplay title of The Land of Promise
Maugham, W. Somerset (William Somerset)
Attitude change -- Fiction; Canada -- Fiction; Farm life -- Fiction; Husband and wife -- Fiction
It was from her more humble friends that Nora found it hardest to part.
She had had tea with the gardener's wife and children of whom she was
genuinely fond. But it was the parting from Kate that had brought the
tears to her eyes. She had confided to that motherly soul how large she
had loomed in the rosy plans she had made while she still had
expectations from Miss Wickham, and been assured in turn that Kate
couldn't have fancied herself happier than she would have been in
looking after her, and the faithful Kate refused to regard the plan as
anything more than postponed. It developed that she was an adept in
telling fortunes with tea leaves. She hoped her dear Miss Marsh wouldn't
consider it a liberty for her to say so, but in every forecast that Kate
had made for herself in the last twelfth month, Miss Marsh had always
been mixed up, which showed beyond the peradventure of a doubt that they
were to meet again.
It was already dusk when London was reached, but Nora had an address of
an inexpensive little private hotel which the doctor's wife had given
her. She had written ahead to engage a room so that her mind was at ease
on that subject. Not knowing exactly where the street might be, further
than that it led off the Strand, she indulged herself in the novel
luxury of a taxi and drove to her new lodgings in state.
"If it isn't too much out of the way, would you take me by way of
Trafalgar Square, please."
The chauffeur touched his cap. His "Yes, Miss," was non-committal.
She was conscious of an unusual feeling of exaltation as she went along.
London, while it can be one of the most depressing cities in the world
when one is alone and friendless, quickens the imagination. As they went
through Trafalgar Square and caught a fleeting glimpse of the National
Gallery, Nora resolved that she would give herself a real treat and
renew old acquaintance with that institution as well as see the Wallace
collection and the Tate Gallery, both of which would be new to her. She
realized more poignantly than ever how starved her love of beauty had
been for the last ten years. It awoke in her afresh with the thought
that for a few days, at least, she could permit herself the luxury of
gratifying it.
She was shown to her room by a neat maid who said she would see what
might be done in the way of a light tea. As a rule breakfast was the
only repast that was supposed to be furnished. But she was quite sure
Miss Horn, the proprietor, would, in view of the fact that the young
lady was a stranger in London and would hardly know where to go alone
for a bite of dinner, make an exception.
Public-domain text, read in full here on John Shaqi.
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