The Canterbury Tales, and Other PoemsChaucer, Geoffrey
ReligionChristian
The Canterbury Tales, and Other Poems
Chaucer, Geoffrey
Chaucer, Geoffrey, -1400; Christian pilgrims and pilgrimages -- Poetry; English poetry -- Middle English, 1100-1500
“These olde gentle Bretons, in their days,
Of divers aventures made lays,<2>
Rhymeden in their firste Breton tongue;
Which layes with their instruments they sung,
Or elles reade them for their pleasance;
And one of them have I in remembrance,
Which I shall say with good will as I can.
But, Sirs, because I am a borel* man, *rude, unlearned
At my beginning first I you beseech
Have me excused of my rude speech.
I learned never rhetoric, certain;
Thing that I speak, it must be bare and plain.
I slept never on the mount of Parnasso,
Nor learned Marcus Tullius Cicero.
Coloures know I none, withoute dread,* *doubt
But such colours as growen in the mead,
Or elles such as men dye with or paint;
Colours of rhetoric be to me quaint;* *strange
My spirit feeleth not of such mattere.
But, if you list, my tale shall ye hear.”
Notes to the Prologue to the Franklin’s Tale
1. In the older editions, the verses here given as the prologue
were prefixed to the Merchant’s Tale, and put into his mouth.
Tyrwhitt was abundantly justified, by the internal evidence
afforded by the lines themselves, in transferring them to their
present place.
2. The “Breton Lays” were an important and curious element in
the literature of the Middle Ages; they were originally
composed in the Armorican language, and the chief collection
of them extant was translated into French verse by a poetess
calling herself “Marie,” about the middle of the thirteenth
century. But though this collection was the most famous, and
had doubtless been read by Chaucer, there were other British or
Breton lays, and from one of those the Franklin’s Tale is taken.
Boccaccio has dealt with the same story in the “Decameron”
and the “Philocopo,” altering the circumstances to suit the
removal of its scene to a southern clime.
THE TALE.
Public-domain text, read in full here on John Shaqi.
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