He now gave up all hope of ever frightening this rude American family,
and contented himself, as a rule, with creeping about the passages in
list slippers, with a thick red muffler round his throat for fear of
draughts, and a small arquebuse, in case he should be attacked by the
twins. The final blow he received occurred on the 19th of September. He
had gone down-stairs to the great entrance-hall, feeling sure that
there, at any rate, he would be quite unmolested, and was amusing
himself by making satirical remarks on the large Saroni photographs of
the United States Minister and his wife which had now taken the place of
the Canterville family pictures. He was simply but neatly clad in a long
shroud, spotted with churchyard mould, had tied up his jaw with a strip
of yellow linen, and carried a small lantern and a sexton's spade. In
fact, he was dressed for the character of "Jonas the Graveless, or the
Corpse-Snatcher of Chertsey Barn," one of his most remarkable
impersonations, and one which the Cantervilles had every reason to
remember, as it was the real origin of their quarrel with their
neighbour, Lord Rufford. It was about a quarter-past two o'clock in
the morning, and, as far as he could ascertain, no one was stirring. As
he was strolling towards the library, however, to see if there were any
traces left of the blood-stain, suddenly there leaped out on him from a
dark corner two figures, who waved their arms wildly above their heads,
and shrieked out "BOO!" in his ear.
[Illustration: "SUDDENLY THERE LEAPED OUT TWO FIGURES."]
Seized with a panic, which, under the circumstances, was only natural,
he rushed for the staircase, but found Washington Otis waiting for him
there with the big garden-syringe, and being thus hemmed in by his
enemies on every side, and driven almost to bay, he vanished into the
great iron stove, which, fortunately for him, was not lit, and had to
make his way home through the flues and chimneys, arriving at his own
room in a terrible state of dirt, disorder, and despair.
Public-domain text, read in full here on John Shaqi.
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