The Cape Peninsula: Pen and Colour Sketches — John Shaqi
The Cape Peninsula: Pen and Colour SketchesHansard, Réné
History
The Cape Peninsula: Pen and Colour Sketches
Hansard, Réné
Cape of Good Hope (South Africa) -- Description and travel; Eastern Cape (South Africa) -- Description and travel
Dancing was the great form of exercise. 'The ladies of the Cape are
pretty and well dressed,' says the French traveller Le Vaillant,
visiting the Cape about this time--1772. He expressed great surprise
at the way they dressed: 'With as much attention to the minutiæ of
dress as the ladies of France, with neither their manners nor their
graces.' How could they have manners and graces? With the adaptability
which amounts to genius, which the women of newly-arisen cosmopolitan
nations possess as Fate's compensation for depriving them of the
birthright of history, tradition, and ancient habitation, they
imitated the manners and fashions of the passing passengers resting a
few days at the Cape on their way to India. Those belonging to the
better class all played on the harpsichord and sang; they had
generally a good knowledge of French, and often of English; were
experts with the needle, making all kinds of lace, 'knotting' and
tambour work; and they usually made up their own dresses.
The men and youths, who never mixed with the English or foreign
visitors, were entirely different: phlegmatic and dull, badly dressed
and badly mannered. Anne Barnard, writing Cape gossip to London, has
many stories to tell of pretty Cape ladies running off with
Englishmen or Frenchmen. The thanksgiving sigh of one worthy 'Koopman'
is conclusive: 'Grace à Dieu, ma femme est bien laide!'
However, we must return to the house of Le Roux in the Strand Street.
It is the day after the fête in the Avenue and the Governor's ball. At
an old French bureau, with metal inlays, praising Monsieur Buhl in
every beautiful line, this gallant Captain Cook wrote in his _Journal_
while the pretty little 'Foei toch,' with sighs of neglect, sat
playing the spinet in a corner of vantage. They changed places
presently--he would dictate and she should write. Two minutes passed,
and Cook got up and looked over her shoulder. She had written,
atrociously, a funny little French verse and signed it:
'Marion pleurt,
Marion rit,
Marion veut, qu'on la marie.
'MARION.'
Cook smiled and bowed. 'Me dear, you have the most adorable foot in
the world, but I dare say little for your hand.' Very witty of him,
but of course she wrote badly; there were no schools, only ill-paid
writing masters. The parsons, all well paid by the Government, would
not condescend to such a worthless occupation.
So Cook wrote his _Journal_ himself, in large, scrawling writing,
with old-fashioned _s_'s, while his two ships, the _Resolution_ and
the _Adventure_, anchored by stout chains instead of cables in this
Bay of Storms, lay waiting for a good wind to sail away round the
world. And Marion sang from her corner at the spinet:
'Marions ci,
Marions ça,
Mais jamais, jamais marions là.'
Cook writes:
'THE CAPE OF GOOD HOPE,
'_Monday, November 2, 1772_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account