The Cape Peninsula: Pen and Colour Sketches — John Shaqi
The Cape Peninsula: Pen and Colour SketchesHansard, Réné
History
The Cape Peninsula: Pen and Colour Sketches
Hansard, Réné
Cape of Good Hope (South Africa) -- Description and travel; Eastern Cape (South Africa) -- Description and travel
One day someone sat gazing at the big Devils Peak, which shadows
Groote Schuur and stands like a rampart of the Citadel Mountain
behind. As he gazed he became inspired; he said: 'There should be a
monument to Rhodes, just there, on those steep green slopes under the
Watch House, where the heavy Dutch cannon were dragged up to defend
the bay.' The Rhodes trustees rose up and formed the chorus.
So began the drama of the monument.
The players were reinforced. Watts from London sent a huge bronze
group, Physical Energy, which is the beginning in the game of
progress. John Swan, with his wonderful head of a Michael Angelo
prophet and a later Roman Emperor, Rodin of the English, came himself
and drew designs for paradoxical lions.
This was our train of mind as we rode up the fir avenue of Groote
Schuur bordered with blue periwinkle flowers.
[Illustration: BLUE HYDRANGEAS AT GROOTE SCHUUR]
Home of Rhodes and a hostel for passing visitors of name and fame, it
was the 'Great Barn' of long ago--the Great Barn where the 'Company's'
corn, grown under such difficulties, was stored in times of
plenty, that there should be food for the Company's servants, ever
busy fighting off the Hottentots across the Flats, when the Batavian
Directors, with great omnipotence, decreed that the homeward-bound
fleet should find no room to carry rice to the vegetable settlement of
Bonne Esperance. For the Company settled in the shadow, not to found
an empire beyond the seas, but to 'grow vegetables for their ships.'
Groote Schuur, the great barn with its present building carefully
imitative, its masses of blue hydrangeas and wisteria, white-walled
terraces of plumbago and magenta bougainvillæa, and its tall
pine-trees and deep, fern-banked glen.
There is something adorable in the green plaque over the front
entrance--and instinctively it is _chapeau bas_--a small group of
Dutchmen and Hottentots on the seashore--'The Landing of Van Riebeek.'
The simplicity of the thing starts the weaving of the spell, which, in
the plod, plod of life at the Cape, is a forgotten aspect. No nation
can ever be great that has no time for sentimental patriotism. Why is
it that this Africa cannot hold its people? There is talk of the Call
of the Sun, but it does not hold fast, this Sun call. If Progress goes
north and all new effort must wander away from the Patria, it must not
be allowed to wander without the shibboleth of sentiment. A domestic
simile would be invidious.
Marinus, my guide, is used to my wanderings, and the horses are slowly
climbing the steep gravelled path behind the house. Past cool woods
filled with arum lilies and fantastic, twisted young oaks, looking to
the heated imagination like fauns and satyrs, which send back one's
mind to a long-ago atmosphere of mythology.
This atmosphere increases, and culminates at the Temple of the
monument.
Public-domain text, read in full here on John Shaqi.
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