The Cape Peninsula: Pen and Colour SketchesHansard, Réné
History
The Cape Peninsula: Pen and Colour Sketches
Hansard, Réné
Cape of Good Hope (South Africa) -- Description and travel; Eastern Cape (South Africa) -- Description and travel
A small black trolley, with planks across the top to serve as seats,
slipped through a clump of gum-trees, stopped at the shed, and we
climbed in. The damp mists crept lower, and Marinus lent me his big
black mackintosh. The trolley was hauled up the one-in-one gradient by
a rope worked by steam. Running from the front of the car to the iron
bar at the back of it was a small piece of dilapidated-looking rope,
the object of which I could not imagine. Slowly we climbed through the
gum-trees, and came face to face with the grey wall of mountain
towering before us.
The rays of sun caught the silver-trees below, and they flashed their
farewells as we mounted into the mists. On our right were slopes of
pale pink gladioli and gentian-blue flowering reed. On our left,
clumps of scarlet-red 'Erica' heath and brown grasses, and
far--terribly far--below us the Rhodes Road winding close to the
mountain over Constantia Nek.
Suddenly I felt the rope tighten, and instinctively (no need to ask
its use now) found myself clinging and crouching forward with a tense
feeling in my throat.
The mountain seemed almost to hang over the car, yet the line went
straight up.
I smelt the pungent scent of wild-geraniums, and knew there were pink
flowers, but my eyes saw not.
The rope slackened, and I looked back!
I understood why Lot's wife became a pillar of salt: we had come up
over the edge of the world.
Once, like a reassuring presence, a small black car ran down past the
trolley, almost brushing my coat.
Twelve minutes of this, then before us were iron sheds and black and
white genii--the men who had made the line and the men who worked the
trolley. Inside the shed the puffing little engine of magic power.
Then the 'man who makes' on the mountain hurried us off, through a
forest of thin firs, on to a plain of rock and white sand, with not
more than ten feet of view around.
It was a mysterious walk, this pilgrimage in silence through the
rain--soft, soaking stuff of spray--past huge water-worn boulders,
grey granite gargoyles that peered at us through the fog. No sound but
the noise of our footsteps on the damp white pathway, and the crunch
of small pebbles as we passed between grey walls of rock.
Suddenly the way became a field of mauveness, palest pink and purple
flowers, hedged by masses of tall, yellow, flowering reeds, while
close to the damp earth grew hundreds of sweet-smelling
butter-coloured orchids and white crassula.
As we watched our phantom party moving through the flowers in their
unpractical garments, Marinus reminded me of how Anne Barnard had
climbed this mountain in scanty skirt, her husband's trousers, and
pattens. The memory of Anne made me sing something Scotch--not her own
song, 'Robin Gray,' but 'Loch Lomond.' I sang very softly to suit the
mists, elusive spirits with feathery wings.
Public-domain text, read in full here on John Shaqi.
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