The Capitals of Spanish AmericaCurtis, William Eleroy
History
The Capitals of Spanish America
Curtis, William Eleroy
Capitals (Cities) -- Latin America; Cities and towns -- Latin America; Latin America -- Description and travel
The rider, expecting the attack, was prepared for it, and leaped with
great agility from the saddle just as the two animals came in contact.
There was very little left of the horse. There was not much of him when
he was dragged into the ring, but the long horns of the bull penetrated
his bowels and tore them out. The bull jams the horse against the
planks, two, three, four times, and then withdraws. The horse lies a
bleeding, disembowelled mass, and the crowd cheers the dreadful
spectacle.
The bull having given up all idea of escape, plunges at everything he
sees, and the second horse is ridden up before him. No attempt is made
to get the animal out of the way. He was brought there to be
slaughtered, and took his turn. Both horses having been disposed of, and
the bull being completely exhausted, the bugle gives the signal, the
matadors enter the arena, and tease him with their scarlet cloaks. At
frequent intervals around the ring are placed heavy planks, behind which
the matadors run for protection when they were pursued. The bull had no
chance at all; he was there simply to be teased and killed by slow
degrees. One matador more agile than the rest baits the animal with his
lance, and when the bull turns upon him, vaults over the down-turned
horns by resting his lance upon the ground. Then they bring out the
ornamented darts, and thrust them into the bull’s hide. The animal jumps
and plunges with pain, and tries to shake them off, but the barbs cling
to the hide, and the more he struggles the farther they penetrate the
flesh. His shoulders are covered with them, and the crimson blood
trickles down his sides. He stands panting with distress, his tongue
hanging out, and is thoroughly exhausted.
[Illustration: MEXICAN BEGGAR.]
The Governor’s trumpet sounds the bull’s death-warrant. It means that
the cruel sport has lasted long enough, and the chief matador comes
forward with a red blanket and a sword. He approaches the bull, and
flaps the blanket in his eyes; the animal plunges at him, and with great
dexterity the matador whirls and thrusts the sword into the animal’s
heart. The bull plunges with pain, and throws the sword out of his body
into the air. He staggers and falls upon the ground, the chief matador
runs up, pierces his brain with a poniard, and the mules are brought in
to drag the dead animals out. The band plays, the crowd cheers, and the
first act is over. The matadors bow to the Governor, bow to the crowd,
and rest, while a clown dances in the ring to amuse the people in the
interim. Pretty soon the trumpet blows again, two more old crow-baits
are ridden in, and another bull is brought from the corral. The same
scenes recur; the horses are always killed, but the men are seldom
injured. Four bulls are usually disposed of each Sunday afternoon before
the appetite for blood is satiated.
Public-domain text, read in full here on John Shaqi.
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