"Of course she doesn't," said Grace consolingly. "She'll understand in time. As I was saying, I was so angry that I caught the old man by the arm and I said to him, 'If you think you're paid to lean up against a wall and not do your duty you're mightily mistaken, and if you aren't careful I'll report you--that's what I'll do,' and he said--what were his exact words? I'll remember in a minute. I know he was very insulting, and the taxi-cabman--why, Paul, where's mother's picture?" Grace's eyes were directed to a large space high above the mantelpiece. Maggie remembered that there had been a big faded oil-painting of an old lady in a shawl and spectacles, a hideous affair she had thought it. That was now reposing in the attic. Why had she not known that it was a picture of Paul's mother? She would never have touched it had she known. Why had Paul said nothing? He had not even noticed that it was gone. Paul stared, amazed and certainly--yes, beyond question--frightened. "Grace--upon my word--I've been so busy since my return--" "Is that also in the attic?" asked Grace. "Yes, it is," said Maggie. "I'm so sorry. I never knew it was your mother. It wasn't a very good painting I thought, so I took it down. If I had known, of course, I never would have touched it. Oh Grace, I AM so sorry." "It's been there," said Grace, "for nearly twenty years. What I mean to say is that it's always been there. Poor mother. Are there many things in the attic, Maggie?" At that moment there was a feeble scratching on the door. Paul, evidently glad of anything that would relieve the situation, opened the door. "Why, it's Mitch!" cried Grace, forgetting for the moment her mother. "Fancy! It's Mitch! Mitch, dear! Was she glad to see her old friend back again? Was she? Darling! Fancy seeing her old friend again? Was she wanting her back?" Mitch stood shivering in the doorway, then, with her halting step, the skin of her back wrinkled with anxiety, she crossed the room. For a moment she hesitated, then with shamefaced terror, slunk to Maggie, pressed up against her, and sat there huddled, staring at Grace with yellow unfriendly eyes. CHAPTER IV GRACE Not in a day and not in a night did Maggie find a key to that strange confusion of fears, superstitions, and self-satisfactions that was known to the world as Grace Trenchard. Perhaps she never found it, and through all the struggle and conflict in which she was now to be involved she was fighting, desperately, in the dark. Fight she did, and it was this same conflict, bitter and tragic enough at the time, that transformed her into the woman that she became ... and through all that conflict it may be truly said of her that she never knew a moment's bitterness--anger, dismay, loneliness, even despair-bitterness never.