The Captivi and the MostellariaPlautus, Titus Maccius
General
The Captivi and the Mostellaria
Plautus, Titus Maccius
Latin drama (Comedy); Plautus, Titus Maccius -- Translations into English
[Footnote 7: _Black pitch_)--Ver. 603. He alludes to a frightful
punishment inflicted upon malefactors by the Romans. They were either
smeared over with burning pitch, or were first covered with pitch, which
was then set fire to. This punishment is supposed to have been often
inflicted upon the early Christians. Juvena alludes to it in his First
Satire, I. 155:
Pone Tigellinum, taeda lucebis in illa,
Qua stantes ardent, qui fixo gutture fumant.
Describe Tigellinus [an infamous minister of Nero], and yon shall give
a light by those torches, in which those stand and burn who send forth
smoke with a stake driven into their throat."]
[Footnote 8: _Why are you making signs_)--Ver. 617. "Abnutas." The verb
"abnuto" means, "to nod to a person that he may desist." Tyndarus thinks
that by this time Aristophontes must surely understand the plan that has
been devised for the escape of Philocrates; and, as he is about to step
aside to speak with Hegio, he makes a sign, requesting him to stop short
in his contradiction of what he has asserted.]
[Footnote 9: _The dress only_)--Ver. 620. By "ornamenta" he means the
dress of Tragedy. The dresses of Comedy were essentially different from
those of Tragedy. He means to say, "the man is mad; if he had only the
Tragic garb on, you might take him for Ajax Telamon in his frenzy." On
being refused the arms of Achilles, Ajax became mad, and slaughtered a
flock of sheep fancying that they were Ulysses and the sons of Atreus.]
[Footnote 10: _The sacrifice and the stone_)--Ver. 624. We learn from
Livy, that in the most ancient times the animal for sacrifice was killed
by being struck with a stone; to stand between the victim and the stone,
would consequently imply, to be in a position of extreme danger.]
[Footnote 11: _But where is he_)--Ver. 645. Tyndarus has probably
betaken himself to some corner of the stage, and Aristophontes misses
him from his former position.]
[Footnote 12: _Cut asunder_)--Ver. 646. "Deruncinatus" means, literally,
cut asunder with a "runcina," or "saw."]
[Footnote 13: _Have they imposed upon me_)--Ver. 661. "Os sublevere
offuciis." Literally "painted my face with varnish." This expression is
probably derived from the practice of persons concealing their defects,
by painting over spots or freckles in the face for the purpose of hiding
them.]
[Footnote 14: _Colaphus, Cordalio, Corax_)--Ver. 662. These are the
names of slaves. "Colaphus" means, also, "a blow with the fist." "Corax"
was the Greek name for a "crow," and was probably given to a black
slave.]
[Footnote 15: _To gather faggots_)--Ver. 663. He asks this question
because cords, "lora," were necessary for the purpose of binding up
faggots.]
SCENE V.--HEGIO, TYNDARUS, ARISTOPHONTES, _and_ SLAVES.
HEG. (_to the _SLAVES). Put the manacles on this whipp'd villain.
TYND. (_whilst the_ SLAVES _are fastening him_). What's the matter? What
have I done wrong?
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