The Captivi and the MostellariaPlautus, Titus Maccius
General
The Captivi and the Mostellaria
Plautus, Titus Maccius
Latin drama (Comedy); Plautus, Titus Maccius -- Translations into English
[Footnote 1: _Because--they are both_)--Ver. 2. This is apparently
intended as a piece of humour, in catching or baulking the audience. He
begins as though he was going to explain why the captives are standing
there, and ends his explanation with saying that they are standing
because they are not sitting. A similar truism is uttered by Pamphila,
in the Stichus, l. 120.]
[Footnote 2: _In Elis_)--Ver. 9. Elis, or, as it is called by Plautus,
"Alis," was a city of Achaia, in the north-western part of the
Peloponnesus. Near it the Olympic games were celebrated.]
[Footnote 3: _That man at a distance_)--Ver. 11. One of the audience,
probably a plebeian who has no seat, but is standing in a remote part of
the theatre, is supposed to exclaim in a rude manner that he cannot hear
what the actor says. On this the speaker tells him that he had better
come nearer; and if he cannot find a seat, there is room for him to walk
away. Possibly the verb "ambulo" may be intended to signify in this case
either "to walk" or "to stand," in contradistinction to sitting.
Rost, with some reason, suggests "abscedito" "walk out," in place of
"accedito," "come nearer."]
[Footnote 4: _To bawl like a beggar_)--Ver. 13. Commentators have
differed as to the meaning of this passage. Some think that he means
that with the view of pleasing the plebeian part of the audience, he
shall not bawl out like a beggar asking alms; while others suppose that
the meaning is, that he will not run the risk of cracking his voice,
after which he will be hissed off the stage, and so be reduced to
beggary.]
[Footnote 5: _To pay your taxes_)--Ver. 15. By this he shows that the
party whom he is addressing, is either one of the lowest plebeians or a
slave. In the assessment or census, which was made by the Censors, the
slaves were not numbered at all, being supposed to have no "caput," or
"civil condition." The lowest century were the "proletarii," whose only
qualification was the being heads of families, or fathers of children.
In addressing those who are reckoned in the census "ope vestra,"
"by your means" or "circumstances," he seems to be rebuking the
"proletarii," who had no such standing, and who probably formed the
most noisy part of the audience. As these paid no part of the taxes
with which the theatres were in part supported, of course they would
be placed at a greater distance from the stage, and probably were not
accommodated with seats. It was just about this period that the elder
Scipio assigned different places in the theatres to the various classes
of the people.]
[Footnote 6: _Listen to the rest_)--Ver. 16. "Reliquum" was a term which
either signified generally, "what is left," or money borrowed and still
unpaid. He plays upon these different meanings--"Accipite reliquum,"
which may either signify "hear the rest" or "take what is due and
owing," and he then makes the observation, parenthetically, "alieno uti
nil moror," "I don't care to be in debt."]
Public-domain text, read in full here on John Shaqi.
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