The Captivi and the MostellariaPlautus, Titus Maccius
General
The Captivi and the Mostellaria
Plautus, Titus Maccius
Latin drama (Comedy); Plautus, Titus Maccius -- Translations into English
THEUROPIDES, a merchant of Athens.
SIMO, an aged Athenian, his neighbour.
PHILOLACHES, son of Theuropides.
CALLIDAMATES, a young Athenian, friend of Philolaches.
TRANIO, servant of Philolaches.
GRUMIO, servant of Theuropides.
PHANISCUS, servant of Callidamates.
ANOTHER SERVANT of Callidamates.
A BANKER.
A BOY.
PHILEMATIUM, a music-girl, mistress of Philolaches.
SCAPHA, her attendant.
DELPHIUM, mistress of Callidamates.
_Scene_--Athens: before the houses of THEUROPIDES and SIMO.
MOSTELLARIA [1] OR, THE HAUNTED HOUSE.
[Footnote 1: _Mottellaria_) This is a word probably derived from
"mostellum," the diminutive of "monstrum," a "spectre" or "prodigy." It
was probably coined by Plautus to serve as the title of this Play,
which is called by several of the ancient Commentators by the name of
"Phasma," "the Apparition."]
THE ACROSTIC ARGUMENT. [Supposed to have been written by Priscian the
Grammarian.]
PHILOLACHES has given liberty to (_Manumisit_) his mistress who has
been bought _by him_, and he consumes all (_Omnem_) his substance in
the absence of his father. When he returns, Tranio deceives the old man
(_Senem_); he says that frightful (_Terrifica_) apparitions have been
seen in the house, and (_Et_) that at once they had removed from it. A
Usurer, greedy of gain (_Lucripeta_), comes up in the meantime, asking
for the interest _of some money_, and again the old man is made sport
of (_Lusus_) for the _servant_ says that a deposit for a house which
has been bought has been taken up (_Acceptum_) on loan. _The old man_
enquires (_Requirit_) which it is; he says that of the neighbour next
door. He then looks over (_Inspectat_) it. Afterwards he is vexed that
he has been laughed at; still by (_Ab_) the companion of his son he is
_finally_ appeased.
ACT I.--SCENE I. _Enter, from the house of_ THEUROPIDES, GRUMIO,
_pushing out_ TRANIO.
GRU. Get out of the kitchen, will you; out of it, _you_ whip-scoundrel,
who are giving me your cavilling talk amid the platters; march out of
the house, you ruin of your master. Upon my faith, if I _only_ live,
I'll be soundly revenged upon you in the country. Get out, I say, you
steam of the kitchen. Why are you skulking _thus_?
TRA. Why the plague are you making _this_ noise here before the house?
Do you fancy yourself to be in the country[1]? Get out of the house;
be off into the country. Go and hang yourself. Get away from the door.
(_Striking him_.) There now, was it that you wanted?
GRU. (_running away_). I'm undone! Why are you beating me? TRA. Because
you want it.
GRU. I must endure it. Only let the old gentleman return _home_; only
let him come safe _home_, whom you are devouring in his absence.
TRA. You don't say what's either likely or true, you blockhead, as to
any one devouring a person in his absence.
Public-domain text, read in full here on John Shaqi.
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