Germans -- Travel -- England -- Kent -- Fiction; Humorous stories
refuge. For it was a refuge--the alternative being to march along
blindly till the next morning, which was, of course, equivalent to not
being an alternative at all--but how bleak a one! Gray shadows were
descending on it, cold winds were whirling round it, the grass was,
naturally, dripping, and scattered in and out among the furze bushes
were the empty sardine and other tins of happier sojourners. These last
objects were explained by the presence of a hop-field skirting one side
of the common, a hop-field luckily not yet in that state which attracts
hop-pickers, or the common would hardly have been a place to which
gentlemen care to take their wives. On the opposite side to the
hop-field the ground fell away, and the tips of two hop-kilns peered at
us over the edge. In front of us, concealed by the furze and other
bushes of a prickly, clinging nature, lay the road, along which people
going home to houses, as Edelgard put it, were constantly hurrying. All
round, except on the hop-field side, we could see much farther than we
wanted to across a cheerless stretch of country. The three caravans were
drawn up in a row facing the watery sunset, because the wind chiefly
came from the east (though it also came from all round) and the backs of
the vans offered more resistance to its fury than any other side of
them, there being only one small wooden window in that portion of them
which, being kept carefully shut by us during the whole tour, would have
been infinitely better away.
I hope my hearers _see_ the caravans: if not it seems to me I read in
vain. Square--or almost square--brown boxes on wheels, the door in
front, with a big aperture at the side of it shut at night by a wooden
shutter and affording a pleasant prospect (when there was one) by day, a
much too good-sized window on each side, the bald back with no relief of
any sort unless the larders can be regarded as such, for the little
shutter window I have mentioned became invisible when shut, and inside
an impression (I never use a word other than deliberately), an
impression, then, I say, of snugness, produced by the green carpet, the
green arras lining to the walls, the green eider-down quilts on the
beds, the green portière dividing the main room from the small portion
in front which we used as a dressing room, the flowered curtains, the
row of gaily bound books on a shelf, and the polish of the brass candle
brackets that seemed to hit me every time I moved. What became of this
impression in the case of one reasonable man, too steady to be blown
hither and thither by passing gusts of enthusiasm, perhaps the narrative
will disclose.
Public-domain text, read in full here on John Shaqi.
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