“In English-speaking--in Anglo-Saxon lands, if you prefer. The
Anglo-Saxon public is beauty-blind. They have fifty religions--only one
sauce--and no sense of beauty whatsoever. They can see the nose on one's
face--the mote in their neighbour's eye; they can see when a bargain is
good, when a war will be expedient. But the one thing they can never see
is beauty. And when, by some rare chance, you catch them in the act of
admiring a beautiful object, it will never be for its beauty--it will be
in spite of its beauty for some other, some extra-aesthetic interest it
possesses--some topical or historical interest. Beauty is necessarily
detached from all that is topical or historical, or documentary or
actual. It is also necessarily an effect of fine shades, delicate
values, vanishing distinctions, of evasiveness, inconsequence,
suggestion. It is also absolute, unrelated--it is positive or negative
or superlative--it is never comparative. Well, the Anglo-Saxon public
is totally insensible to such things. They can no more feel them, than a
blind worm can feel the colours of the rainbow.”
She laughed again, and regarded him with an air of humorous meditation.
“And that accounts for the unsuccess of 'A Man of Words'?”
“You might as well offer Francois Villon a banquet of Orient pearls.”
“You are bitterly hard on the Anglo-Saxon public.”
“Oh, no,” he disclaimed, “not hard--but just. I wish them all sorts of
prosperity, with a little more taste.”
“Oh, but surely,” she caught him up, “if their taste were greater, their
prosperity would be less?”
“I don't know,” said he. “The Greeks were fairly prosperous, were n't
they? And the Venetians? And the French are not yet quite bankrupt.”
Still again she laughed--always with that little air of humorous
meditation.
“You--you don't exactly overwhelm one with compliments,” she observed.
He looked alarm, anxiety.
“Don't I? What have I neglected?” he cried.
“You 've never once evinced the slightest curiosity to learn what I
think of the book in question.”
“Oh, I'm sure you like it,” he rejoined hardily. “You have 'the seeing
eye.'”
“And yet I'm just a humble member of the Anglo-Saxon public.”
“No--you're a distinguished member of the Anglo-Saxon 'remnant.' Thank
heaven, there's a remnant, a little scattered remnant. I'm perfectly
sure you like 'A Man of Words.'”
“'Like it' is a proposition so general. Perhaps I am burning to tell
someone what I think of it in detail.”
She smiled into his eyes, a trifle oddly.
“If you are, then I know someone who is burning to hear you,” he avowed.
“Well, then, I think--I think...” she began, on a note of deliberation.
“But I 'm afraid, just now, it would take too long to formulate my
thought. Perhaps I'll try another day.”
She gave him a derisory little nod--and in a minute was well up the
lawn, towards the castle.
Peter glared after her, his fists clenched, teeth set.
“You fiend!” he muttered. Then, turning savagely upon himself, “You
duffer!”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account