“Yes,” she assented.... But then she pursued her own train of ideas. “And--with you--I particularly like the woman--Pauline. I can't tell you how much I like her. I--it sounds extravagant, but it's true--I can think of no other woman in the whole of fiction whom I like so well--who makes so curiously personal an appeal to me. Her wit--her waywardness--her tenderness--her generosity--everything. How did your friend come by his conception of her? She's as real to me as any woman I have ever known she's more real to me than most of the women I know--she's absolutely real, she lives, she breathes. Yet I have never known a woman resembling her. Life would be a merrier business if one did know women resembling her. She seems to me all that a woman ought ideally to be. Does your friend know women like that--the lucky man? Or is Pauline, for all her convincingness, a pure creature of imagination?” “Ah,” said Peter, laughing, “you touch the secret springs of my friend's inspiration. That is a story in itself. Felix Wildmay is a perfectly commonplace Englishman. How could a woman like Pauline be the creature of his imagination? No--she was a 'thing seen.' God made her. Wildmay was a mere copyist. He drew her, tant bien que mal, from the life from a woman who's actually alive on this dull globe to-day. But that's the story.” The Duchessa's eyes were intent. “The story-? Tell me the story,” she pronounced in a breath, with imperious eagerness. And her eyes waited, intently. “Oh,” said Peter, “it's one of those stories that can scarcely be told. There's hardly any thing to take hold of. It's without incident, without progression--it's all subjective--it's a drama in states of mind. Pauline was a 'thing seen,' indeed; but she wasn't a thing known: she was a thing divined. Wildmay never knew her--never even knew who she was--never knew her name--never even knew her nationality, though, as the book shows, he guessed her to be an Englishwoman, married to a Frenchman. He simply saw her, from a distance, half-a-dozen times perhaps. He saw her in Paris, once or twice, at the theatre, at the opera; and then later again, once or twice, in London; and then, once more, in Paris, in the Bois. That was all, but that was enough. Her appearance--her face, her eyes, her smile, her way of carrying herself, her way of carrying her head, her gestures, her movements, her way of dressing--he never so much as heard her voice--her mere appearance made an impression on him such as all the rest of womankind had totally failed to make. She was exceedingly lovely, of course, exceedingly distinguished, noble-looking; but she was infinitely more. Her face her whole person--had an expression! A spirit burned in her--a prismatic, aromatic fire. Other women seemed dust, seemed dead, beside her. She was a garden, inexhaustible, of promises, of suggestions. Wit, capriciousness, generosity, emotion--you have said it--they were all there. Race was there, nerve.