Libraries -- History; Library architecture -- History; Library fittings and supplies -- History
When the Romans had taken possession of Pergamon, those who had charge of
the city would become familiar with the library; and it seems to me almost
certain that, when the necessity for establishing a public library at Rome
had been recognised, the splendid structure at Pergamon would be turned to
as a model. But, if I mistake not, Roman architecture had received an
influence from Pergamon long before this event occurred. What this was I
will mention presently.
No public library was established in Rome until the reign of Augustus.
Julius Caesar had intended to build one on the largest possible scale, and
had gone so far as to commission Varro to collect books for it[26]; but it
was reserved for C. Asinius Pollio, general, lawyer, orator, poet, the
friend of Virgil and Horace, to devote to this purpose the spoils he had
obtained in his Illyrian campaign, B.C. 39. In the striking words of Pliny
"he was the first to make men's talents public property (_ingenia hominum
rem publicam fecit_)" The same writer tells us that he also introduced the
fashion of decorating libraries with busts of departed authors, and that
Varro was the only living writer whose portrait was admitted[27]. Pollio
is further credited, by Suetonius, with having built an _atrium
libertatis_[28], in which Isidore, a writer of the seventh century,
probably quoting a lost work of Suetonius, places the library, with the
additional information, that the collection contained Greek as well as
Latin books[29].
The work of Pollio is recorded among the acts of generosity which Augustus
suggested to others. But before long the emperor turned his own attention
to libraries, and enriched his capital with two splendid structures which
may be taken as types of Roman libraries,--the library of Apollo on the
Palatine Hill, and that in the Campus Martius called after Octavia, sister
to the emperor. I will take the latter first.
The _Porticus Octaviae_, or, as it was sometimes called, the _Opera
Octaviae_, must have been one of the most magnificent structures in Rome
(fig. 3). It stood in the Campus Martius, near the Theatre of Marcellus,
between the Capitoline Hill and the Tiber. A double colonnade surrounded
an area which measured 443 feet by 377 feet, with _Jani_, or four-faced
archways, at the four corners, and on the side next the Tiber a double
hexastyle porch, which, with a few fragments of the colonnade, still
exists in a fairly good state of preservation[30]. Within this space were
two temples, one of Jupiter, the other of Juno, a _curia_ or hall, in
which the Senate frequently met, a _schola_ or "Conversation Hall[31],"
and two libraries, the one of Greek, the other of Latin books. The area
and buildings were crowded with masterpieces in bronze and marble.
[Illustration: Fig. 3. Plan of the Porticus Octaviae, Rome. From _Formae
Urbis Romae Antiqua_, Berlin, 1896.]
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