Cults -- Fiction; Horror tales; London (England) -- Fiction
The Carnal God
By JOHN R. SPEER and CARLISLE SCHNITZER
_A strange and thrilling story about a golden image
that was instinct with evil life, and the terrible
weird fire that burned with the cold of outer space._
[Transcriber's Note: This etext was produced from
Weird Tales June 1937.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
_1. The Dreadful Face_
On starless nights when the moon was obscured by the earth's shadow,
Pierre Soret walked alone down the darkest and most deserted streets in
London. He did this to avoid the people who might look into his face.
His face! He shuddered, his pinched shoulders wrenching sharply with
a bitter shrug. Could anyone call this mask, this unearthly mass of
bubbling flesh, boiling and seething in his own blood, a face?
Pierre knew what always happened when people looked into his
torture-shattered eyes. The sight of their horror sickened him. His
memory ached with the sharpness of pain he had felt on those few
occasions when some luckless persons had inadvertently seen, and
halted, frozen momentarily with the intense horror and nausea that
overwhelmed them, their faces graven with revulsion; a moment later to
totter rapidly past him down the street, the tension of their feeling
released with an effort that ended in a sob of hysteria and fear.
The route Pierre took upon these nights was always the same. With
his long black opera cape and moth-eaten topper, he stalked through
the streets like some villain from an old Drury Lane melodrama. "A
quaint old man who has refused to leave his yesterdays," people might
remark, if they did not see his face. Pierre gave no heed to the few
people he passed, except to draw the cape quickly about his face if
they approached him too near under the eery, fog-filtered glare of the
street lamps.
At Nigh Street, Pierre's bent figure paused wearily before he started
up the hill. A few yards from the corner, he paused again, staring
at the yellow lines of light cutting the fog and issuing from the
slit-like windows of the beautiful home of the Countess Donella
Moonard. In the thick mists, the house, impressively large and of
Egyptian architecture, resembled a temple of Black Magic veiled in
oppressive incense. The yellow slits glowered steadily and ominously.
What brilliance and exotic color lay within!
It was late, but not all of the Countess Moonard's guests had departed.
This would be the first party of the new season; trust her to make it
gay and unusual.
Pierre walked slowly forward, muttering to himself. His shoulders
brushed the low, ivy-covered wall surrounding the estate. He was
nearing the entrance to the garden. Above the gate in the wall, an
ancient gas torch flickered, casting a ghastly light that might have
come from the most ancient tombs along the Blue Nile.
Public-domain text, read in full here on John Shaqi.
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