The Case Against Spirit PhotographsPatrick, C. Vincent
History
The Case Against Spirit Photographs
Patrick, C. Vincent
Parapsychology; Spirit photography; Spiritualism
“After half an hour or so of moderate success with the table, E
and Patrick also dropped out, to take a flashlight photograph of
the group round the table. Patrick prepared the flash-powder, and
set up the camera--which had previously been examined--by the side
of the desk and lighted lamp. E again examined the camera, inside
and out, and when Patrick had focussed it examined the view in the
ground-glass screen. (The lights were put up for a few minutes, to
aid the focussing, etc.) When all was ready, E received the key from
C, unlocked the drawer, and took out the dark-slide. He saw that it
was undoubtedly placed in the camera right way about, _i.e._, No. 3
compartment in use, and the shutter withdrawn. When the table had
commenced its tilting again the flash was fired by Patrick. C took
notes of the movements of the table, and at the same time watched the
camera, which was in the full light of the reading-lamp throughout.
After the flash the shutter of the slide was replaced, and on
removal from the camera the slide immediately passed again into the
possession of E. Any substitution of plate or dark-slide was thus
rendered out of the question.
“The dark-slide was taken to the dark-room by E, and he and C watched
Patrick open it, remove the plate, and develop it. As before, E kept
the slide till everything was ready, and passed it to Patrick in the
full light of the ruby lamp, C checking the number of the compartment
in which the plate had been loaded, and still remained (No. 3). On
development, Patrick pointed out that there was a hand at the top of
the plate, which could not belong to any of those at the table, and
was pointing with its index finger at one of the group. On fixing, it
was examined more closely, both by Patrick and the two others. All
three distinctly saw the image of a hand and wrist, pointing, the
forearm being draped. It was in fairly sharp focus, and appeared, by
its proportion, to be rather nearer the camera than the centre of
the table, above which it appeared to hang suspended. A shadow cast
by it was plainly seen, larger and less sharply focussed, apparently
on the back wall of the room. (A picture on this wall had previously
been removed, to eliminate any reflection, and leave the background
clear.) There was a general appearance of drapery surrounding the
group, particularly at the sides; there was in this the suggestion
of a trunk to which the hand might belong. The appearance of the
picture was very startling, and Patrick suggested that as the man
at whom it should turn out to be pointing might suffer considerable
uneasiness on seeing it, it might be well to destroy the plate
without attempting to identify him. E and C, after a minute’s
thought, both agreed that this would be the wisest course, and it
was accordingly done. Patrick did not wish to feel that he might
Public-domain text, read in full here on John Shaqi.
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