Actors and actresses -- Fiction; Boardinghouses -- Fiction; Detective and mystery stories; Murder -- Fiction
Mr. Holcombe still retained the second-story front room. I think,
although he said nothing more about it, that he was still "playing
horse." He wrote a good bit at the wash-stand, and, from the loose
sheets of manuscript he left, I believe actually tried to begin a
play. But mostly he wandered along the water-front, or stood on one
or another of the bridges, looking at the water and thinking. It is
certain that he tried to keep in the part by smoking cigarettes, but
he hated them, and usually ended by throwing the cigarette away and
lighting an old pipe he carried.
On that Thursday evening he came home and sat down to supper with
Mr. Reynolds. He ate little and seemed much excited. The talk ran on
crime, as it always did when he was around, and Mr. Holcombe quoted
Spencer a great deal--Herbert Spencer. Mr. Reynolds was impressed, not
knowing much beyond silks and the National League.
"Spencer," Mr. Holcombe would say--"Spencer shows that every
occurrence is the inevitable result of what has gone before, and
carries in its train an equally inevitable series of results. Try to
interrupt this chain in the smallest degree, and what follows? Chaos,
my dear sir, chaos."
"We see that at the store," Mr. Reynolds would say. "Accustom a lot of
women to a silk sale on Fridays and then make it toothbrushes. That's
chaos, all right."
Well, Mr. Holcombe came in that night about ten o'clock, and I told
him Ladley was back. He was almost wild with excitement; wanted to
have the back parlor, so he could watch him through the keyhole, and
was terribly upset when I told him there was no keyhole, that the
door fastened with a thumb bolt. On learning that the room was to
be papered the next morning, he grew calmer, however, and got the
paper-hanger's address from me. He went out just after that.
Friday, as I say, was very quiet. Mr. Ladley moved to the back parlor
to let the paper-hanger in the front room, smoked and fussed with
his papers all day, and Mr. Holcombe stayed in his room, which was
unusual. In the afternoon Molly Maguire put on the striped fur coat
and went out, going slowly past the house so that I would be sure to
see her. Beyond banging the window down, I gave her no satisfaction.
At four o'clock Mr. Holcombe came to my kitchen, rubbing his hands
together. He had a pasteboard tube in his hand about a foot long, with
an arrangement of small mirrors in it. He said it was modeled after
the something or other that is used on a submarine, and that he and
the paper-hanger had fixed a place for it between his floor and the
ceiling of Mr. Ladley's room, so that the chandelier would hide it
from below. He thought he could watch Mr. Ladley through it; and as it
turned out, he could.
"I want to find his weak moment," he said excitedly. "I want to know
what he does when the door is closed and he can take off his mask. And
I want to know if he sleeps with a light."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account