[2] Three major documents concerning this quarrel are published under the title _Mr. Macklin's Reply to Mr. Garrick's Answer_ (London, 1743). [3] Mrs. Clive's four afterpieces, with their allusions to her personality and career, are equally revealing. I treat this subject in "An Edition of the Afterpieces of Kitty Clive," Diss. Duquesne Univ. 1968, and "The Textual Relationship and Biographical Significance of Two Petite Pieces by Mrs. Catherine (Kitty) Clive," RECTR, 9 (May 1970), 51-58, and "Kitty Clive as Dramatist," _DUJ_, N.S., 32 No. 2 (March 1971), 125-132. [4] James Boswell, _Boswell's Life of Johnson_, ed. George Birkbeck Hill, rev. L.F. Powell (Oxford: Clarendon Press, 1934-1950), IV, 243. [5] _Dramatic Miscellanies_ (London, 1785), III, 131, 376. [6] Quoted by [John Genest], _Some Account of the English Stage_ (Bath: H.E. Carrington, 1832), V, 230. [7] _Memoirs of His Own Life_ (York, 1790), II, 257. See _Theatrical Correspondence in Death. An Epistle from Mrs. Oldfield_ (London, 1743), p. 7. [8] _The Complete Works of Henry Fielding, Esq._, ed. William Ernest Henley (New York: Croscup & Sterling Co., [1902]; reprinted Barnes & Noble, 1967), X, 277-278. [9] For a useful exposition of the 1733 and 1743 disputes in terms of the licensing act see Watson Nicholson, _The Struggle for a Free Stage in London_ (Cambridge, Mass.: Archibald Constable & Co., 1906.). [10] Percy Fitzgerald, _The Life of Mrs. Catherine Clive_ (London: A. Reader, 1888), p. 24. P.J. Crean, "The Life and Times of Kitty Clive," Diss. Univ. of London, 1933, is, however, the authority on Clive's life. I am indebted to Professor Crean. [11] Quoted in Mary E. Knapp, _Prologues and Epilogues of the Eighteenth Century_ (New Haven: Yale University Press, 1961), p. 69. [12] Yet, with Fitzgerald (_Life_, p. 34), I believe that Fielding could have helped Mrs. Clive ready her Case for the press. Certainly the "correctness" of that printed text could not have been achieved by her alone. Cf. Clive's MS letters, Appendix, "An Edition of the Afterpieces." [13] See Crean, "Life and Times," p. 215. A pertinent example of actors' seeking redress is, of course, the revolt of 1694-1695, described by John Downes, _Roscius Anglicanus_ (London. 1708), pp. 43-44; Augustan Reprint Society publication number 134 (Los Angeles, 1969), with an Introduction by John Loftis, is a facsimile of the first edition. [14] See Arthur H. Scouten, "Introduction," _The London Stage_ (Carbondale, III.: Southern Illinois University Press, 1961), Pt. 3, xcv, cxlvii, and Dramatic Congress, p. 20. [15] Cf. James Ralph, _The Case of our Present Theatrical Disputes_ (London, 1743), pp. 3, 48.