"All right!--but your mother won't want to see me. No!--really it's no
good your saying she will. I saw her in the village yesterday. I'm not
her sort. Let me go home by myself."
Mary half laughed, half coaxed her into coming with them. But she went
very unwillingly; fell completely silent, and seemed to be in a dream all
the way to the cottage. Meynell took no notice of her; though once or
twice she stole a furtive look toward him.
* * * * *
The tiny house in which Catharine Elsmere and her daughter had settled
themselves for the summer stood on a narrow isthmus of land belonging to
the Maudeley estate, between the Sandford trout-stream and a large rushy
pond of two or three acres. It was a very lonely and a very beautiful
place, though the neighbourhood generally pronounced it damp and
rheumatic. The cottage, sheltered under a grove of firs, looked straight
out on the water, and over a bed of water-lilies. All round was a summer
murmur of woods, the call of waterfowl, and the hum of bees; for, at the
edges of the water, flowers and grasses pushed thickly out into the
sunlight from the shadow of the woods.
By the waterside, with a book on her knee, sat a lady who rose as they
came in sight.
Meynell approached her, hat in hand, his strong irregular face, which had
always in it a touch of _naivete_, of the child, expressing both timidity
and pleasure. The memory of her husband was enshrined deep in the minds
of all religious liberals; and it was known to many that while the
husband and wife had differed widely in opinion, and the wife had
suffered profoundly from the husband's action, yet the love between them
had been, from first to last, a perfect and a sacred thing.
He saw a tall woman, very thin, in a black dress. Her brown hair, very
lightly touched with gray and arranged with the utmost simplicity, framed
a face in which the passage of years had emphasized and sharpened all
the main features, replacing also the delicate smoothness of youth by a
subtle network of small lines and shadows, which had turned the original
whiteness of the skin into a brownish ivory, full of charm. The eyes
looked steadily out from their deep hollows; the mouth, austere and
finely cut, the characteristic hands, and the unconscious dignity of
movement--these personal traits made of Elsmere's wife, even in late
middle age, a striking and impressive figure.
Yet Meynell realized at once, as she just touched his offered hand, that
the sympathy and the homage he would so gladly have brought her would be
unwelcome; and that it was a trial to her to see him.
Public-domain text, read in full here on John Shaqi.
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