Bathurst, Anthony (Fictitious character) -- Fiction; Detective and mystery stories; England -- Fiction
CHAPTER II
Schedule Numbers 37, 38 and 39
When Peter entered the Galleries there were comparatively few people
present. A knot of interested art-enthusiasts had gathered in front of
a superb “Reynolds” dated 1765. It was described as the “Portrait of a
Lady.” She held a lute in her hand and wore a satin dress cut low and
edged with pearls. Although Peter was no expert in these matters, it
did not take him long to realize that he was gazing at a masterpiece.
But he passed on. The Galleries held other attractions that interested
him more. Schedule Numbers 37, 38 and 39 were easily to be found. The
three objects that had brought him to Day, Forshaw and Palmers’ almost
jostled each other on the left of the room as you entered. The screen
stood on the floor, the Pearl Collar and Rosary lay on a small
Sheraton Inlaid Mahogany side table right against it. Their only
visible protection from covetous hands was a rail that barriered them
from the public, about four feet high. But as Peter looked at the
three things for which he had been commissioned by Mr. Laurence P.
Stewart, he became acutely aware and very definitely conscious, that
he in his turn was being watched. Two men of medium height were
lounging near . . . their profession was obvious to him. He had come
into contact with their kind too many times before in the course of
his own business not to recognize them when he saw them.
“Plain-clothes,” he told himself. He walked across to the barrier and
took a close inspection of the objects in which he was interested. As
he did so he fancied the two men edged a little more closely to him.
But he realized, upon looking round, that with the exception of the
men to whom reference has been made, he was the only person in that
particular part of the room; hence their keener interest in his
movements. “Hang it all,” he said to himself—“this shadowing business
gets on my nerves—I’ll establish my ‘bona-fides.’”
He walked back to the entrance to the Galleries. A middle-aged man was
superintending the transportation of what was evidently a valuable
picture. He paused in his directions as Peter came up. “Anything I can
do for you, sir?” Peter caught him by the arm.
“Yes. Look here! Here’s my card! I’m Daventry—of ‘Merryweather,
Linnell and Daventry.’ I want to examine items Nos. 37, 38 and 39 in
the published catalogue of your sale on Friday.”
The man scratched his chin—thoughtfully. Then looked again at the
proffered card.
“Young Mr. Forshaw’s here, sir. You’re Mr. Daventry, I think you said,
sir.”
“That’s right.”
“I’ll tell the young governor, sir! Can I say you’ve a mind to
purchase?”
“Oh yes!” cut in Peter impetuously. “I’m representing my firm on
behalf of a very——”
He checked himself—suddenly. It occurred to him that there was
absolutely no need to mention Stewart’s name at this juncture and
perhaps more than one excellent reason for withholding it. He thought
of Stewart’s phrase concerning discretion.
Public-domain text, read in full here on John Shaqi.
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