The Case of Wagner: Complete Works, Volume 8Nietzsche, Friedrich Wilhelm
PhilosophyPhilosophy
The Case of Wagner: Complete Works, Volume 8
Nietzsche, Friedrich Wilhelm
Wagner, Richard, 1813-1883
For a long while Wagner's ship sailed happily along this course. There
can be no doubt that along it Wagner sought his highest goal.--What
happened? A misfortune. The ship dashed on to a reef; Wagner had run
aground. The reef was Schopenhauer's philosophy; Wagner had stuck fast
on a _contrary_ view of the world. What had he set to music? Optimism?
Wagner was ashamed. It was moreover an optimism for which Schopenhauer
had devised an evil expression,--_unscrupulous_ optimism. He was more
than ever ashamed. He reflected for some time; his position seemed
desperate.... At last a path of escape seemed gradually to open before
him: what if the reef on which he had been wrecked could be interpreted
as a goal, as the ulterior motive, as the actual purpose of his
journey? To be wrecked here, this was also a goal. _Bene navigavi cum
naufragium feci ..._ and he translated the "Ring" into Schopenhauerian
language. Everything goes wrong, everything goes to wrack and ruin, the
new world is just as bad as the old one:--Nonentity, the Indian Circe
beckons.... Brunnhilda, who according to the old plan had to retire
with a song in honour of free love, consoling the world with the hope
of a socialistic Utopia in which "all will be well"; now gets something
else to do. She must first study Schopenhauer. She must first versify
the fourth book of "The World as Will and Idea." _Wagner was saved...._
Joking apart, this _was_ a salvation. The service which Wagner owes to
Schopenhauer is incalculable. It was the _philosopher of decadence_ who
allowed the _artist of decadence_ to find himself.--
5.
_The artist of decadence._ That is the word. And here I begin to
be serious. I could not think of looking on approvingly while this
_décadent_ spoils our health--and music into the bargain. Is Wagner
a man at all? Is he not rather a disease? Everything he touches he
contaminates. _He has made music sick._
A typical _décadent_ who thinks himself necessary with his corrupted
taste, who arrogates to himself a higher taste, who tries to establish
his depravity as a law, as progress, as a fulfilment.
And no one guards against it. His powers of seduction attain monstrous
proportions, holy incense hangs around him, the misunderstanding
concerning him is called the Gospel,--and he has certainly not
converted only the _poor in spirit_ to his cause!
I should like to open the window a little. Air! More air!--
Public-domain text, read in full here on John Shaqi.
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